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srinivasrgvn- Nice One! 22 nd Mela & it's janyas are my favourite too........What a lovely Mela Kharaharapriya Is!
http://rasikas.org/forums/viewtopic.php? ... priya.html
http://rasikas.org/forums/viewtopic.php? ... priya.html
Last edited by vs_manjunath on 29 Apr 2009, 11:29, edited 1 time in total.
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This poem will make a nice impression if stuck at the concert venues during season. 
Why dont u send it to THE HINDU or lesser mortals like Katcheri Buzz?

Why dont u send it to THE HINDU or lesser mortals like Katcheri Buzz?
Last edited by coolkapali on 29 Apr 2009, 13:52, edited 1 time in total.
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While we're waxing eloquent over this raga, how about a nice old film song which can only be described as dripping all over with the sweetness of kharaharapriya?
http://www.youtube.com/watch?v=Od4Ji_al1D0
I am not normally a big fan of carnatic based film songs, but this one is old enough to be outstandingly 'genuine', replete with some nice brighas ... Can anyone identify the singer ? (not the actress in the clip but the playback singer) Is it a young MLV?
http://www.youtube.com/watch?v=Od4Ji_al1D0
I am not normally a big fan of carnatic based film songs, but this one is old enough to be outstandingly 'genuine', replete with some nice brighas ... Can anyone identify the singer ? (not the actress in the clip but the playback singer) Is it a young MLV?
Last edited by newyorker on 30 Apr 2009, 10:43, edited 1 time in total.
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Here is the pallavi line in praise of the poet srinivasrgvn:
kharahara priya nAyagaM
SrinivAsarAghavaM bhajEhaM
(I respect the author Srinivasaragavan of (the poem) kharaharapriya)
The song can be beautifully sung in the raga Kharaharapriya and Adi thaaLam.
If more info can be provided on the author I can complete the song! Anybody want to collaborate?

kharahara priya nAyagaM
SrinivAsarAghavaM bhajEhaM
(I respect the author Srinivasaragavan of (the poem) kharaharapriya)
The song can be beautifully sung in the raga Kharaharapriya and Adi thaaLam.
If more info can be provided on the author I can complete the song! Anybody want to collaborate?

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I am pretty sure too, but there's just a nagging suspicion in my head (maybe, it's just because her voice is young).the singer almost I am sure is MLV...
I could be wrong but I don't believe so. As far I know, the kampitam on G2 (R2->M1) is acceptable (even welcome) in Kharaharapriya.Great song. Does it veer a bit too close to kAnaDa in the asaivu on 'yE' of 'thunai nIyE?
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OK! As you please here is the anupallavi..
kharahara priyam..
kaakutstha upAsakam
(madhyama kaalam)
karNATaka sangIta anvEShakam
ati shIgra kIrtiSopAna ArOhitam
( (He) is a lover of the kharaharapriya (raga);
(He) is a devotee of kaakutstha (Lord Rama)
(He) is a researcher of Karnatic Music
(he) has climbed the ladders of fame very fast
)
kharahara priyam..
kaakutstha upAsakam
(madhyama kaalam)
karNATaka sangIta anvEShakam
ati shIgra kIrtiSopAna ArOhitam
( (He) is a lover of the kharaharapriya (raga);
(He) is a devotee of kaakutstha (Lord Rama)
(He) is a researcher of Karnatic Music
(he) has climbed the ladders of fame very fast

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Srinivasrgvn,
A wonderful poetry.
Your thoughts have kindled many of the Rasikas and made them come out with their own composition [cmlover].
With such a deep knowledge in music and particularly about K.H.Priya ragam, you may be in a position to explain my query of Sri MSG'S playing of the ragam K.H.PRIYA mentioned in my thread "M.S.Gopalakrishnan"
A wonderful poetry.
Your thoughts have kindled many of the Rasikas and made them come out with their own composition [cmlover].
With such a deep knowledge in music and particularly about K.H.Priya ragam, you may be in a position to explain my query of Sri MSG'S playing of the ragam K.H.PRIYA mentioned in my thread "M.S.Gopalakrishnan"
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The actress I think is Vasundhara Devi, Vyjantimala's estranged mother (the latter also obviously acted in this movie). IMO the playback singer is Jayalakshmi of the Radha-Jayalakshmi duo. (Soolamangalam Rajalakshmi of the Soolamangalam Sisters is a distant possibility)newyorker wrote:
I am not normally a big fan of carnatic based film songs, but this one is old enough to be outstandingly 'genuine', replete with some nice brighas ... Can anyone identify the singer ? (not the actress in the clip but the playback singer) Is it a young MLV?
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CML.cmlover wrote:OK! As you please here is the anupallavi..
kharahara priyam..
kaakutstha upAsakam
(madhyama kaalam)
karNATaka sangIta anvEShakam
ati shIgra kIrtiSopAna ArOhitam
( (He) is a lover of the kharaharapriya (raga);
(He) is a devotee of kaakutstha (Lord Rama)
(He) is a researcher of Karnatic Music
(he) has climbed the ladders of fame very fast)
Kharaharpriyam will mean one who likes Rama, the slayer of khara; why not add another line and re write as
kharaharapriyA ragamOhitam
kharaharpriyA dAsam( a dAsA of Sita, who is the beloved of Rama)
kAkuthsthOpAsakam
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my post script:
pallavi
karharapriane! kaivalya harane
bakthargal priyane! paadi thuthikkum
anupallavi
aadi moola swaroopam neeye
anda charaachara upthbavan neeye
charanam
omkaara naadha utporual aahi
uyarnthor sindhayil ulluvathanniyil
raghavan gnaanathin thathuvamagi
aswatha narayanan paninthuthithethum
(with due regards to all original vaggekaras in the forum!)
pallavi
karharapriane! kaivalya harane
bakthargal priyane! paadi thuthikkum
anupallavi
aadi moola swaroopam neeye
anda charaachara upthbavan neeye
charanam
omkaara naadha utporual aahi
uyarnthor sindhayil ulluvathanniyil
raghavan gnaanathin thathuvamagi
aswatha narayanan paninthuthithethum
(with due regards to all original vaggekaras in the forum!)
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Punarvasu
Thanks for your comments.
I used kharaharapriyam as a bahuvrIhi compound 'kharaharapriya nAma raga yasya priyaH sa kharaharapriyaH taM' (to him who is a lover of the raga named kharaharapriya - which is our poet). I wanted to use minimum number of words to be able to sing sangatis (and also within the taaLa constraint).
I always dissolve the sandhi for thhe readers to understand the individual words (though it is against the grammar rules!)
chalanata
nice work! In your last line you must have 'paNinthu thuthitthEthum'
srinivasrgvn
Go ahead and compose more songs that are informative on CM...
Thanks for your comments.
I used kharaharapriyam as a bahuvrIhi compound 'kharaharapriya nAma raga yasya priyaH sa kharaharapriyaH taM' (to him who is a lover of the raga named kharaharapriya - which is our poet). I wanted to use minimum number of words to be able to sing sangatis (and also within the taaLa constraint).
I always dissolve the sandhi for thhe readers to understand the individual words (though it is against the grammar rules!)
chalanata
nice work! In your last line you must have 'paNinthu thuthitthEthum'
srinivasrgvn
Go ahead and compose more songs that are informative on CM...
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This is not a knock on that song, it is quite melodic. On the execution of G2, many ragas use that with a similar Lalitha or Sampradaya Gamakam but the method and amplitude of the R2->M1 oscillation sounds different in different ragas even with in that same Dorian Tetrachord context consisting of S R2 G2 M ( kAnaDa, Darbar, kharaharapriya, etc. ) let alone other purvangas contexts like thodi. In this specific case, it sounded to me like the oscillation is more than what is normally done in KHP but I am more than willing to be corrected.newyorker wrote:I could be wrong but I don't believe so. As far I know, the kampitam on G2 (R2->M1) is acceptable (even welcome) in Kharaharapriya.Great song. Does it veer a bit too close to kAnaDa in the asaivu on 'yE' of 'thunai nIyE?
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chalanata,
Hadn't seen your song until now. Nice!
With the second line of the pallavi, I would transpose it to blend in with the first line. Otherwise, it will be pADit tudikkum karaharapriyan instead of 'baktargaL' pADi tudikkum karaharapriyan. Hope I make sense.
Hadn't seen your song until now. Nice!
With the second line of the pallavi, I would transpose it to blend in with the first line. Otherwise, it will be pADit tudikkum karaharapriyan instead of 'baktargaL' pADi tudikkum karaharapriyan. Hope I make sense.
Last edited by arasi on 08 May 2009, 08:40, edited 1 time in total.