Worlds Largest Tamboori!
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Nataraj & Vinod (of Shiva Musicals, Malleshvara, Bengalooru) have made the worlds largest Tamboori.
This stands 11 feet tall, and weighs about 150 Kgs!
Take a look at the tamboori here:
http://neelanjana.wordpress.com/2008/10 ... -tamboori/
or here (if you can read Kannada):
http://thatskannada.oneindia.in/literat ... ml#cmntTop
- Ramakriya
This stands 11 feet tall, and weighs about 150 Kgs!
Take a look at the tamboori here:
http://neelanjana.wordpress.com/2008/10 ... -tamboori/
or here (if you can read Kannada):
http://thatskannada.oneindia.in/literat ... ml#cmntTop
- Ramakriya
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Looks great and beautiful. I was looking for an audio link to hear how it sounds. It will be great to hear it being played.
Similar to some huge bells where they use an electrically operated pully to ring the bell, may be this one needs a small electric motor to change the sruthi!!
Thanks ramakriya for sharing the info.
Similar to some huge bells where they use an electrically operated pully to ring the bell, may be this one needs a small electric motor to change the sruthi!!
Thanks ramakriya for sharing the info.
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The article does not give the details about where it is kept ; and it is almost 6-month old article. But I got to the article yesterday when I was looking at something else It says that Vinod and Nagaraj have spent more than Rs 1 lakh to make this tamboori.
It looks very beautiful to look at, and I think the sound would be great too. The father-son duo have made a 10 feet long Rudraveena sometime back (for Sringeri Sarada Peetha)
-Ramakriya
It looks very beautiful to look at, and I think the sound would be great too. The father-son duo have made a 10 feet long Rudraveena sometime back (for Sringeri Sarada Peetha)
-Ramakriya
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Usually the size of the gourd affects the resonance and the length of the stem affects the natural pitch. With this long a stem, it must be a very low-pitched instrument and if it has the resonance that such a big gourd can give, then it is likely to be very loud as well. Unless you have a group of very bass-voiced men, I suspect that the instrument probably cannot be used as accompaniment for singing.arasi wrote:ramakriya,
A grand instrument it is! When it comes to portability, I suppose it is as difficult to transport as a church organ! They must have trucked it to the
park and back.
VK,
The sound would be ideal for group singing outdoors...
-Then Paanan
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Since I can not read outside these letters as you see here, I wonder if there's any information to be had on the stringing scale, pitch and relative diameters? Another interesting question is how this 'tanpuronissimo' is to be played to get it 'humming' . I once met an artist who had built very large scale bowed string-instruments while I lived in Tuscany, It. while I had my sarangi with selfmade bows with me. He tried to get his 3 mtr. at least string going with a meagre violin bow. Then I told him politely to step aside and put my heavy, contrabass-players-love-it sarangi bow to it and then you could feel the fundaments rumble.
Last edited by martin on 12 Oct 2008, 04:06, edited 1 time in total.
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Very interesting, thenpaanan. Wouldn't it be nice if someone can lead us to a video where they show how a tamura is assembled!
Ramakriya,
I do not know in how many instances this particular tambUra can be used. My guess is that the vIINA was commissioned for display. Perhaps the brothers made the tambUra for asimilar purpose too, with a musical institution in mind...
Ramakriya,
I do not know in how many instances this particular tambUra can be used. My guess is that the vIINA was commissioned for display. Perhaps the brothers made the tambUra for asimilar purpose too, with a musical institution in mind...
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The world's largest tambura is awesome. Full credirs to the inventor,Now a joke about a tambura..Iin those days , it was a status symbol to arrange a katcheri by the topmost artist in marriage functions once a Zamindar arranged such a performance, though he was a gnanasoonyam about carnatic music. . he was seated in the front row along with other dignitaries .After sometime, he shouted at the tambura player,'I have been watching you from the beginning, you have been making the same sound from your instrument hours together . I am paying you also. why don't you play some songs on your instrument' GOBILALITHA
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On a slightly related note, is there consensus on who produces the best _sounding_ tamburas in the South? Is there a place analogous to Miraj for Hindustani musicians or a tamboora-maker who is legendary in Carnatic circles?Mahalakshmi wrote:This Tamboor is now on display at Purandara bhavan, Indra nagar sangeeta sabha, Banglore.ramakriya wrote:Nataraj & Vinod (of Shiva Musicals, Malleshvara, Bengalooru) have made the worlds largest Tamboori.
This stands 11 feet tall, and weighs about 150 Kgs!
Take a look at the tamboori here:
http://neelanjana.wordpress.com/2008/10 ... -tamboori/
or here (if you can read Kannada):
http://thatskannada.oneindia.in/literat ... ml#cmntTop
- Ramakriya
I'm pasting my picasa link of some photos I took during the international music conference held at this place in July 2008.
http://picasaweb.google.com/Shyamrid/Wo ... stTamboor#
-Then Paanan
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As far as I know, the HM variant 'tanpura', a contraction of 'tana' and 'puura' at least has a musically significant meaning: completing a musical phrase.
I don't know about tambura, but one of those beauties coming from Tanjore is just somehow called 'tambura' and I follow along with this usage.
Coming back to the tamburone (cf. violin-violone), can't anybody anywhere say a thing about to what pitch it is tuned?
I won't even ask about string thickness. Just give me the pitch, someone?
I don't know about tambura, but one of those beauties coming from Tanjore is just somehow called 'tambura' and I follow along with this usage.
Coming back to the tamburone (cf. violin-violone), can't anybody anywhere say a thing about to what pitch it is tuned?
I won't even ask about string thickness. Just give me the pitch, someone?
Last edited by martin on 22 Oct 2008, 02:09, edited 1 time in total.
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Cool,
Reminds me of an incident.
A veteran singer, organizers and the audience await the arrival of the violinist. No signs of her. The singer says, wish I had a real tambUra . Someone in the audience (a music freak) jumps up and says, I will get one in ten minutes and play it too! More excitement. Minutes later, the violinist arrives (she was under the impression the concert was to take place two hours later, and got there in a tizzy after an organizer had phoned her). She bolts on to the stage, the vocalist and mrudangist follow. They are into the second song when the woman with the tambUra arrives.
So, she places the instrument quietly on one side of the stage and returns to her seat. The tambura idles there silently all through the concert and we keep looking at it, wishing it had found its place in the concert...
How many volunteers do you need to hoist this giant at every' Sruti bhEdam moment! I bet it can be a work out
Reminds me of an incident.
A veteran singer, organizers and the audience await the arrival of the violinist. No signs of her. The singer says, wish I had a real tambUra . Someone in the audience (a music freak) jumps up and says, I will get one in ten minutes and play it too! More excitement. Minutes later, the violinist arrives (she was under the impression the concert was to take place two hours later, and got there in a tizzy after an organizer had phoned her). She bolts on to the stage, the vocalist and mrudangist follow. They are into the second song when the woman with the tambUra arrives.
So, she places the instrument quietly on one side of the stage and returns to her seat. The tambura idles there silently all through the concert and we keep looking at it, wishing it had found its place in the concert...
How many volunteers do you need to hoist this giant at every' Sruti bhEdam moment! I bet it can be a work out

Last edited by arasi on 21 Oct 2008, 09:08, edited 1 time in total.
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During Kanchi ParamAcharya's Centenary Celebrations- I have seen Naiveli Santhanagopalan's Concert in which he himself was putting the Tambura and singing at Kanchi!
Last edited by vs_manjunath on 21 Oct 2008, 12:03, edited 1 time in total.
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The habit of using a 'real' tambura has almost disappeared from the concert circuit. Old vidvans like Voleti would always play it themselves while they sang. I have seen pictures of GNB doing the same. Bangalore Nagaratnammal was famous for her dismantleable tambura, which she kept horizontally, and strummed when she sang. Of the current artists, I have only seen the Malladi brothers(one or the other) play the instrument while they sing.
As for the variants of the name, north indian musicians swear by the Taan-poora explanation. Purandaradasa has used the word Tamboori - 'Tamboori meetidava'
Thyagaraja says Mudduga Tamboora batti, and some books refer to a 'Tumburu veena' - the instrument of the celestial bard Tumburu, Narada's colleague and occassional rival.
As for the variants of the name, north indian musicians swear by the Taan-poora explanation. Purandaradasa has used the word Tamboori - 'Tamboori meetidava'
Thyagaraja says Mudduga Tamboora batti, and some books refer to a 'Tumburu veena' - the instrument of the celestial bard Tumburu, Narada's colleague and occassional rival.
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Manjunath,
I did not mean that either the volunteer or the vocalist were reluctant to play the tambUri. The concert started way too late, and there was another scheduled concert after hers, and to stop at that point and fuss with the tuning of the tambUri would have meant delaying the concert even further...
I did not mean that either the volunteer or the vocalist were reluctant to play the tambUri. The concert started way too late, and there was another scheduled concert after hers, and to stop at that point and fuss with the tuning of the tambUri would have meant delaying the concert even further...
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What I mean is to what exact tone is Sa tuned, what kattai, or what note? Since its long stringing scale it is probably tuned in the lowest octave, but to what tone?srkris wrote:Could you please rephrase? Not sure what you're asking.martin wrote:can't anybody anywhere say a thing about to what pitch it is tuned?
I won't even ask about string thickness. Just give me to pitch, someone?
As far as I know the pitch of the tambura is set to adhara shadja.
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the person who was intent to introduce the tambura should have tuned it off-stage and bring it in playing, which is probably the only way to convince the musicians on stage that no disruption is to be feared.arasi wrote:Manjunath,
I did not mean that either the volunteer or the vocalist were reluctant to play the tambUri. The concert started way too late, and there was another scheduled concert after hers, and to stop at that point and fuss with the tuning of the tambUri would have meant delaying the concert even further...
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