Aishwarya V Raghunath, MA, 23/Dec/2018

[sankark]

With HMSmitha, RajeshSrinivasan, NerkunramManikandan

nAttai outline pavanAtmaja Agachcha s@pallavi

janaranjani sketch smaranEsukhamu rAma nAma

A reigning queen on opening at a gallop. No sauntering.

lalithA violin vinyasam didn't bring lalithA out; could pay attention to return bow seamlessly; lot of audible bow returns. nannu brOvu lalithA n@ninnuvinA nAkevarunnAru gathi janani

vInAbhEri vEnu vAdyAdhi

[sankark]

kAmbhOji evvari mAta vinnAvO. mridangam rocks. nice nAdham, grand patterns and along with morsing it is quite a heady mix. Only peeve: ineffective use of pregnant pauses, nary one.

ns@bhaktaparAdinudanucu parama. Here violin + morsing brings its own charm tani

Bonus: https://takelessons.com/blog/violin-techniques-z08

Didn't know there is a stackexchange site for music. https://music.stackexchange.com expect this to be heavily into WM, Jazz, etc.

[rbharath]

Good attempts with the sama kaala neraval though

[rbharath]

Indeed wonderful percussion artists.

[rbharath]

Looks like a pallavi in srIranjani

Long kArvais all through the concert

[sankark]

sriranjani RTP in k nadai k triputai 'ranjani nikhila janani pAhi mAm vAni srI' rAgamAlikai swarams kIrvAni, kalyANi?, suddhasAvEri. All in all it is about 25 min affair a la VS.

Violin: except for lalithA AlApanai, rest didn't have that audible bow return

pattakurA nA kungu
viewtopic.php?f=11&t=28817 c1 was sung sans 3rd line

nirguna nirAmaya yamunA?