Namaste,
I am looking for Natanam Adinar. The music as well as lyrics and meaning.
Can somebody help me?
Thank you
Natanam Adinar
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nrityapriya
- Posts: 44
- Joined: 30 Jan 2007, 07:40
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Amraman
- Posts: 65
- Joined: 01 May 2006, 23:53
The audio is available here.
http://www.musicindiaonline.com/p/x/6qb ... As1NMvHdW/
http://www.musicindiaonline.com/p/x/XrO ... As1NMvHdW/
Ambika
http://www.musicindiaonline.com/p/x/6qb ... As1NMvHdW/
http://www.musicindiaonline.com/p/x/XrO ... As1NMvHdW/
Ambika
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Lakshman
- Posts: 14184
- Joined: 10 Feb 2010, 18:52
rshankar:
It is available here: http://rasikas.org/forums/viewtopic.php?pid=13104
It is available here: http://rasikas.org/forums/viewtopic.php?pid=13104
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rshankar
- Posts: 13754
- Joined: 02 Feb 2010, 22:26
Lji,
Thanks. I missed that. I had translated this for a local teacher a few years ago, and I did not realize I had saved it....I think I will post it because my take is a bit different and I want some feed back on it.
naTanam ADinAr vegu. rAgA: vasanta. ATa tALA.
P: naTanam AdinAr vegu nAgarIkamAgavE kanaka sabhaiyil Ananda
A: vaDakayilaiyil munnAl mAmunikkaruL sheidapaDi tavarAmal
tillaippadiyil vandu tai mAdattil guru pUshattil pagal nErattil
Without failing/breaking his word (tavaRAmal), He kept the promise he made as he blessed (aruL Seida) the great (mA) sage (muni)[1] one day (nAL) in the past (mun), in mount kailAS (vaDa – in the north, kaiyilayil), and appeared (vandu) in the city (patiyil) of cidambaram (tillai) on the auspicious day of guru pUSam (pUSattil) in the month (mAdattil) of tai (the 10th month in the tamizh calendar)[2] during day (pagal) time (nErattil), and danced (naTanam AdinAr) the Ananda tANDavam in an extremely (vegu) accomplished (nAgarIkamAgavE) manner in the golden (kanaka) hall (sabhayil) of the temple in cidambaram to the SorkaTTU (as indicated in the SorkaTTu/svara passages).
(sholkaTTu svara)
tAm takiTa takajham takaNam tarikum taridhIm dhimita takajham takiNam
tataNam tataNam tarita dhinu dhinuta dhitLAm dhitLAm dhit tAhata
tajjhaNu tananta DhIngi DhINDhIngu tA tayya tayya tadhini takiTa taka
tajjhaNA tataka takkiTa taka tAm dhik kiTataka tai tattOm enru
nI sa ri sa ri sA sA ri sa dhA sa ni dha dha ri sa sA dha ni sA sa sa sa rI
sa rI ri rI ri rI sa ni dha sa sa sa ri sa sa ri sa sa sa ni sa ri sa ri sa
sa sA sa ri sa ni dhA dhA dha ni dha dha mA dha ma ga ri sa
C: aSTa dishaiyil giDugiDenru shEDan talai naDunga aNDam adira gangai
tuLi shidara ponnADavan koNDADaiSTamudanE gOpAlakrSNan pADa shaDaiyADa
aravu paDamADa adilE naTamADa tomtOmenru padavigaL tandOmenru
As the golden-hued one (Siva – ponnADavan)[3] celebrates (koNDADa) by joyously/joyfully dancing (naTamADa) to the accompaniment of (adilE) the sounds (giDu giDu enru) from his anklets spreading in all the eight (ashTa) directions (diSaiyil), the head (talai) of the dwarf (SEDan)[4] shaking/trembling (naDunga), the quaking (adira) of the universe (ANDam), the spilling (Sidara) of a small (tuLi) amount of water from the ganges (gangai), the to-and-fro movement (ADa) of his locks (SaDai), the swaying (ADa) of the hoods (paDam) of the snakes (aravu) on his body, and the loving (iSTamudanE) vocals (pADa) of vishNu (gOpAlakrishNan)[5], He is secure in the knowledge that He had granted (tandOm enru) his devotees (that have had the fortune to observe this sight) the final/ultimate states of bliss (padavigaL)[6].
Footnotes:
[1] The 'mAmuni' in question is AdisESa who wanted to witness the Ananda tANDavam of his Lord and master, and was asked by Siva to incarnate as the muni/sage, patanjali – and wait for him in tillai/cidambaram with another saint, pulipAda/vyAghrapAda. Siva promised to appear before them at the opportune moment and dance for them. And, he kept his promise on the day of guru pUSam in the month of tai.
[2] The Tamizh calendar is a solar calendar, and the month of 'tai' usually extends from Jan 14/15 to Feb 12/13 of the Gregroian calendar – and yes, a month can have 32 days in the tamizh calendar!
[3] Siva is the golden hued one – ponnAr mEniyan.
[4] The dwarf is muyalakan, who represents ignorance – the symbolism is that as the Lord dances on this evil, malevolent dwarf's back, he destroys ignorance.
[5] The composer's mudra.
[6] I think refers to the 4 states of bliss – sAlOkam, samIpam etc. Am I correct, and if so, can anyone explain this? If I am wrong, please correct me.
Thanks. I missed that. I had translated this for a local teacher a few years ago, and I did not realize I had saved it....I think I will post it because my take is a bit different and I want some feed back on it.
naTanam ADinAr vegu. rAgA: vasanta. ATa tALA.
P: naTanam AdinAr vegu nAgarIkamAgavE kanaka sabhaiyil Ananda
A: vaDakayilaiyil munnAl mAmunikkaruL sheidapaDi tavarAmal
tillaippadiyil vandu tai mAdattil guru pUshattil pagal nErattil
Without failing/breaking his word (tavaRAmal), He kept the promise he made as he blessed (aruL Seida) the great (mA) sage (muni)[1] one day (nAL) in the past (mun), in mount kailAS (vaDa – in the north, kaiyilayil), and appeared (vandu) in the city (patiyil) of cidambaram (tillai) on the auspicious day of guru pUSam (pUSattil) in the month (mAdattil) of tai (the 10th month in the tamizh calendar)[2] during day (pagal) time (nErattil), and danced (naTanam AdinAr) the Ananda tANDavam in an extremely (vegu) accomplished (nAgarIkamAgavE) manner in the golden (kanaka) hall (sabhayil) of the temple in cidambaram to the SorkaTTU (as indicated in the SorkaTTu/svara passages).
(sholkaTTu svara)
tAm takiTa takajham takaNam tarikum taridhIm dhimita takajham takiNam
tataNam tataNam tarita dhinu dhinuta dhitLAm dhitLAm dhit tAhata
tajjhaNu tananta DhIngi DhINDhIngu tA tayya tayya tadhini takiTa taka
tajjhaNA tataka takkiTa taka tAm dhik kiTataka tai tattOm enru
nI sa ri sa ri sA sA ri sa dhA sa ni dha dha ri sa sA dha ni sA sa sa sa rI
sa rI ri rI ri rI sa ni dha sa sa sa ri sa sa ri sa sa sa ni sa ri sa ri sa
sa sA sa ri sa ni dhA dhA dha ni dha dha mA dha ma ga ri sa
C: aSTa dishaiyil giDugiDenru shEDan talai naDunga aNDam adira gangai
tuLi shidara ponnADavan koNDADaiSTamudanE gOpAlakrSNan pADa shaDaiyADa
aravu paDamADa adilE naTamADa tomtOmenru padavigaL tandOmenru
As the golden-hued one (Siva – ponnADavan)[3] celebrates (koNDADa) by joyously/joyfully dancing (naTamADa) to the accompaniment of (adilE) the sounds (giDu giDu enru) from his anklets spreading in all the eight (ashTa) directions (diSaiyil), the head (talai) of the dwarf (SEDan)[4] shaking/trembling (naDunga), the quaking (adira) of the universe (ANDam), the spilling (Sidara) of a small (tuLi) amount of water from the ganges (gangai), the to-and-fro movement (ADa) of his locks (SaDai), the swaying (ADa) of the hoods (paDam) of the snakes (aravu) on his body, and the loving (iSTamudanE) vocals (pADa) of vishNu (gOpAlakrishNan)[5], He is secure in the knowledge that He had granted (tandOm enru) his devotees (that have had the fortune to observe this sight) the final/ultimate states of bliss (padavigaL)[6].
Footnotes:
[1] The 'mAmuni' in question is AdisESa who wanted to witness the Ananda tANDavam of his Lord and master, and was asked by Siva to incarnate as the muni/sage, patanjali – and wait for him in tillai/cidambaram with another saint, pulipAda/vyAghrapAda. Siva promised to appear before them at the opportune moment and dance for them. And, he kept his promise on the day of guru pUSam in the month of tai.
[2] The Tamizh calendar is a solar calendar, and the month of 'tai' usually extends from Jan 14/15 to Feb 12/13 of the Gregroian calendar – and yes, a month can have 32 days in the tamizh calendar!
[3] Siva is the golden hued one – ponnAr mEniyan.
[4] The dwarf is muyalakan, who represents ignorance – the symbolism is that as the Lord dances on this evil, malevolent dwarf's back, he destroys ignorance.
[5] The composer's mudra.
[6] I think refers to the 4 states of bliss – sAlOkam, samIpam etc. Am I correct, and if so, can anyone explain this? If I am wrong, please correct me.
Last edited by rshankar on 16 May 2008, 23:43, edited 1 time in total.
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arasi
- Posts: 16873
- Joined: 22 Jun 2006, 09:30