Mohanakalyani
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that was from a os arun concert that went up the internet in 1998 or so in real format.you xcan hear the hum of the real track-something that could not be eliminated while getting back to mp3.
it has an outstanding shanmukhapriya alapana -one of the best i have heard.makes one wish he does not get distracted by the offers to sing ghazals and bhajans as a speciality.he can be such an exciting bridge between HM and CM.just a personal opinion.
it has an outstanding shanmukhapriya alapana -one of the best i have heard.makes one wish he does not get distracted by the offers to sing ghazals and bhajans as a speciality.he can be such an exciting bridge between HM and CM.just a personal opinion.
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Ksiyer
mOhana kalyANi as you have ponted out was given shape as a combination of mOhana and kalyANI in trhe ascent and descent respectively. SrI HMB is credited with inventing this rAga. There are some kRtis of swAti tirunAL in the rAga(sEvE SrIkAntam) but one must remember that the kRtis were set to notation by HMB and later hs junior associate SSI.
CML
shuddha kalyAN is I think the HM equivalent of mOhanakalyANI. bhUp is strictly considered equivalent of mOhana in HM. So is bhUpAli. But it appears that M2 and N3 are making inroads into bhUp and in places it sounds distinctly like mOhanakalyANi. This is clearly heard in the version kishori Amonkar sings on MIL. But bhUpAli by gangubai Hangal on MIL is clearly mOhana.
cookarni
I sent u an email several days ago. Did you receive it?
mOhana kalyANi as you have ponted out was given shape as a combination of mOhana and kalyANI in trhe ascent and descent respectively. SrI HMB is credited with inventing this rAga. There are some kRtis of swAti tirunAL in the rAga(sEvE SrIkAntam) but one must remember that the kRtis were set to notation by HMB and later hs junior associate SSI.
CML
shuddha kalyAN is I think the HM equivalent of mOhanakalyANI. bhUp is strictly considered equivalent of mOhana in HM. So is bhUpAli. But it appears that M2 and N3 are making inroads into bhUp and in places it sounds distinctly like mOhanakalyANi. This is clearly heard in the version kishori Amonkar sings on MIL. But bhUpAli by gangubai Hangal on MIL is clearly mOhana.
cookarni
I sent u an email several days ago. Did you receive it?
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strangely i found it difficult to pick a mohanakalyani from the vintage stock.most of the available ones are from the commercial releases.
One exception-bhuvaneswariya by MMI was a very poor recording.so i did not upload.
TRS -seve sreekantham -track was spoilt in the first half.so i have uploaded whatever was left.the swara portions.
HM
There is a very soothing clip by Misra Brothers of Benares.I picked it up from the radio , but it might have been a commercial release.
so i have put up only that part with a lot of fizz.
Amir Khan
we are on safer ground here.I had several versions =all commercial-but this one is a private recording-as though he was practising-you cant even hear an accompanying instrument-sarangi or Harmonium- one of the lovely tracks we have been able to lay our hands on thanks to an Australian disciple of Amir Khan.She even shot a video of his and has shared it with us.Someday when X drives can handle larger files more cost effectively.. maybe we will share it here.
This particular rendering is highly intoxicating.so even those of you with half a mind to download, dont hesitate.it is a very very rare clip !!
One exception-bhuvaneswariya by MMI was a very poor recording.so i did not upload.
TRS -seve sreekantham -track was spoilt in the first half.so i have uploaded whatever was left.the swara portions.
HM
There is a very soothing clip by Misra Brothers of Benares.I picked it up from the radio , but it might have been a commercial release.
so i have put up only that part with a lot of fizz.
Amir Khan
we are on safer ground here.I had several versions =all commercial-but this one is a private recording-as though he was practising-you cant even hear an accompanying instrument-sarangi or Harmonium- one of the lovely tracks we have been able to lay our hands on thanks to an Australian disciple of Amir Khan.She even shot a video of his and has shared it with us.Someday when X drives can handle larger files more cost effectively.. maybe we will share it here.
This particular rendering is highly intoxicating.so even those of you with half a mind to download, dont hesitate.it is a very very rare clip !!
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I heard this song finally. I need some comments from the others here:a lovely mohanakalyani of os arun is up on x drive.
While readily identifiable as mohanakalyANI, it was still very different from the other versions of MK I have heard: MLV/Sudha/Nithyashree/Jayanthi Kumaresh/Sowmya etc. OSA has sung a composition of Ambujam Krishna 'AdinAyE kaNNA' in this rAg and it sounds very similar to his 'siddhi vinAyakam'. Is that because his versions are in HM style?
Ravi
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janya of 65th mela mechakalyani
aro s r g p d s
ava s n d p m g r s
ie going up with mohanam and coming down with kalyani.If sudha madhyamam is substituted for prati,you will get an entirely different raga bilahari
there is a swathi composition seve sreekantam,often sung by Soumya.I have the same sung by her guru,S.Ramanathan.It is an old recording,let me see if I can post it here.
aro s r g p d s
ava s n d p m g r s
ie going up with mohanam and coming down with kalyani.If sudha madhyamam is substituted for prati,you will get an entirely different raga bilahari
there is a swathi composition seve sreekantam,often sung by Soumya.I have the same sung by her guru,S.Ramanathan.It is an old recording,let me see if I can post it here.
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Radhakrishnan sir, from your post on the Dr. S Ramanthan thread, the link for Dr SR's rendition of Seve Srikantamthere is a swathi composition seve sreekantam,often sung by Soumya.I have the same sung by her guru,S.Ramanathan.It is an old recording,let me see if I can post it here.
http://rapidshare.de/files/11862552/seve.mp3.html
I guess this composition was tuned in Mohankalyani by HMB, during his days in Travancore (?!)
Wonder what the earlier ragam was!
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script and notations of many compositions of Swathi tirunal were lost and and it was,as you you said,Muthiah bhagavathar and later Semmangudi sir who retuned them(the dhanasri tillana was tuned by Lalgudi sir,as requested by amma maharani herself)it is difficult to trace the original tune.The present one is good enough,though
thnks
thnks
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ST composed seve sreekantam in Mohankalyani.abadri wrote:
I guess this composition was tuned in Mohankalyani by HMB, during his days in Travancore (?!)
Wonder what the earlier ragam was!
Deleted
Last edited by meena on 06 May 2008, 07:12, edited 1 time in total.
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Great saints like Thyagaraja spontaneously composed kritis,it came to them and there were no technology to preserve it,but it is still alive thro the sishya parampara.But as you see,there are so many different patantaras,even the text varies.So people have taken liberty to change it according to their style.
Music is something to be appreciated and enjoyed without any bias and the q of who composed what should not intervene.
Music is something to be appreciated and enjoyed without any bias and the q of who composed what should not intervene.
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Meena, your 2nd post seems to agree with me. If Mohanakalyani was introduced by HMB,
how could ST who preceded him by a good half-century have used it to compose his kriti?
The link you pointed me to (http://www.swathithirunal.org/htmlfile/325.htm) claims that
ST created Mohanakalyani - which was a new one to me (popular wisdom says HMB
introduced not ST).
Radhakishnan sir, no question of bias or not appreciating, just a point of historical curiosity if you will.
how could ST who preceded him by a good half-century have used it to compose his kriti?
The link you pointed me to (http://www.swathithirunal.org/htmlfile/325.htm) claims that
ST created Mohanakalyani - which was a new one to me (popular wisdom says HMB
introduced not ST).
Radhakishnan sir, no question of bias or not appreciating, just a point of historical curiosity if you will.
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http://rapidshare.de/files/11937651/Moh ... i.mp3.html
Some Mohankalyani by TNS and his son
Some Mohankalyani by TNS and his son
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CML sir, there is an one hour clip of Shudha Kalyan in MusicIndiaOnline. Bhimsen Joshi. 'Nuff said. Pure class. Hope it's the same that Lakshman sir is referring to. To be honest even though I can kind of sense the swaras used are the same as Mohana Kalyani, it appears very different to my ears, with stress of different sangathis and prayogas.
Can someone please explain? Many thanks.
Can someone please explain? Many thanks.
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Mahesh
I am listening to the amazing Joshi's out-of-this-world suddh kalyan. Amazing as it is I can only get a very peripheral sanchar relating to mohan kalyan. I could see his excursions into Yaman and Mohanam (Bhup) all mixed along with slices of Mohankkalyani. But HMB's mohanakalyani is a distinct raga sculpted strictly on carnatic lines. Perhaps the HM did influence HMB in creating this raga but full kudos to HMB for giving a roopam to this wonderful raga IMHO!
I am listening to the amazing Joshi's out-of-this-world suddh kalyan. Amazing as it is I can only get a very peripheral sanchar relating to mohan kalyan. I could see his excursions into Yaman and Mohanam (Bhup) all mixed along with slices of Mohankkalyani. But HMB's mohanakalyani is a distinct raga sculpted strictly on carnatic lines. Perhaps the HM did influence HMB in creating this raga but full kudos to HMB for giving a roopam to this wonderful raga IMHO!
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I also just listened to Kishori on MIO singing a drut in suddhakalyan which sounded much closer to Mohanakalyani with of course some variations from the CM style. She has also sung a viLamb kaal on suddhakalyan which does not sound at all like Mohankalyani.
My conclusion is that MK is a raga which does not allow an elaborate aalaapana (which is true from the CM point of view). It gives up when you start teasing it note by note which the HM artists do! When it hangs together (though no special gamakams as far as I know) it sounds like our delightful CM version.
I like your comments folks!
My conclusion is that MK is a raga which does not allow an elaborate aalaapana (which is true from the CM point of view). It gives up when you start teasing it note by note which the HM artists do! When it hangs together (though no special gamakams as far as I know) it sounds like our delightful CM version.
I like your comments folks!
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Here is the link for a delightful and rare rendition of shuddhkalyan by Roshan Ara Begum:
http://rapidshare.de/files/11963364/01_ ... 1.mp3.html
http://rapidshare.de/files/11963364/01_ ... 1.mp3.html
cml
two more tracks of shudh kalyan .. which lean more towards the carnatic Mohanakalyani
Jitendra Abhisheki's tharana -the first time we heard it on Radio, every one in my home was humming "Yallali Yallali" for days..... a beautiful rendering.
http://rapidshare.de/files/12091110/JIT ... N.MP3.html
and a second one on the Rudra veena by Asad Ali Khan
though lasting ony a couple of minutes , a wonderful bit.
http://rapidshare.de/files/12091455/ASA ... N.MP3.html
two more tracks of shudh kalyan .. which lean more towards the carnatic Mohanakalyani
Jitendra Abhisheki's tharana -the first time we heard it on Radio, every one in my home was humming "Yallali Yallali" for days..... a beautiful rendering.
http://rapidshare.de/files/12091110/JIT ... N.MP3.html
and a second one on the Rudra veena by Asad Ali Khan
though lasting ony a couple of minutes , a wonderful bit.
http://rapidshare.de/files/12091455/ASA ... N.MP3.html
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Dear Lakshman:
Please use cmlover@rogers.com. Thanks!
Please use cmlover@rogers.com. Thanks!
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coolkarni
Jitendra does sound close to carnatic
But Asad khan's is fantastic! I wish it was a longer piece!
Roshnara has a bewitching voice and I agree she sings much closer to carnatic raga. But I still get glimpses of Yaman and Bhup in the aalaap. I accept it is suddhkalyan but not Mohankalyani. HMB's version is indeed a stand alone raga with no trace of kalyani or mohanam phrases.
I hope one of these days TNS will take it as a challenge and elaborate this raga. It is a shame that it is still in the closet with not any weighty kritis.
C'mon DRS! Take it as a challenge and compose a sparkling kriti in Mohan kalyani!
Jitendra does sound close to carnatic
But Asad khan's is fantastic! I wish it was a longer piece!
Roshnara has a bewitching voice and I agree she sings much closer to carnatic raga. But I still get glimpses of Yaman and Bhup in the aalaap. I accept it is suddhkalyan but not Mohankalyani. HMB's version is indeed a stand alone raga with no trace of kalyani or mohanam phrases.
I hope one of these days TNS will take it as a challenge and elaborate this raga. It is a shame that it is still in the closet with not any weighty kritis.
C'mon DRS! Take it as a challenge and compose a sparkling kriti in Mohan kalyani!
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There is a beautifull piece in MK by Bombay Jayashree "Taamadam Tagadayya" on the musicindiaonline site http://www.musicindiaonline.com/l/1/s/a ... rtist.103/
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Here is a beautiful rendering of Thamadham Thagadhaiyya( a composition of Lalgudi Gopala Iyer-Lalgudi's father) by Lalgudi, GJR and Viji from a live recording
http://rapidshare.de/files/14240656/LGJ ... i.oma.html
This is in open MG( Sony ATRAC format). I request knrh05 to convert it into mp3. I dont know how to do it.
thanks
http://rapidshare.de/files/14240656/LGJ ... i.oma.html
This is in open MG( Sony ATRAC format). I request knrh05 to convert it into mp3. I dont know how to do it.
thanks
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