Thanks to Vaak team
Muthuswami Dikshitar
[b](1775–1835)[/b]
stands as a monumental figure in Carnatic music, renowned for his profound contributions that seamlessly blend musical mastery with deep spiritual insight. As one of the illustrious Trinity of Carnatic composers, his works are celebrated for their intricate craftsmanship, scholarly depth, and devotional fervor. Among his numerous compositions, the Kamalamba Navavarana Kritis hold a distinguished place, epitomizing the confluence of art and spirituality.
The Kamalamba Navavarana Kritis are a set of eleven compositions dedicated to Goddess Kamalamba, enshrined in the Thyagaraja Temple of Tiruvarur.
Each kriti is meticulously crafted in a distinct raga and tala, embodying the essence of the corresponding avaranam and facilitating a musical journey through the layers of the Sri Chakra.
The rendition of this classic cycle of compositions begin with an invocatory song on Lord Ganesha and Lord Muruga.
https://youtu.be/WWfsMsTQeiQ?si=kKW7H3to511wQvuq
00:00:00 - Gowla -
Sri Maha Ganapathiravathu Mam - Misra Chapu
by Alathur Brothers
00:08:46 - Surutti - Balasubramanyam Bhajeham - Adi
by RK Srikantan
The 11 Navavarna kritis are as follows:
Dhyana Kriti
Serves as a meditative invocation, preparing the devotee for the ensuing spiritual journey. Utilizes the vocative case, directly addressing the Goddess and seeking her benevolent presence.
00:13:01 - Thodi - Alapana
00:24:49 - Thodi -
Kamalambike - Rupakam
by MS Subbulakshmi
......
1st Avaranam
Trailokyamohana Chakra ("Enchanter of the Three Worlds")
Represents the outermost enclosure, symbolizing the material realm and its allurements. The soothing Anandabhairavi raga complements the theme of divine protection amidst worldly enticements.
00:40:30 - Anandabhairavi - Alapana
00:45:46 - Anandabhairavi
- Kamalamba Samrakshathu -
Misra Chapu
by Semmangudi Srinivasa Iyer
2nd Avaranam
Sarvasaparipuraka Chakra ("Fulfillment of All Desires")
Denotes the sixteen-petaled lotus, associated with the fulfillment of noble desires. The grandeur of Kalyani raga reflects the completeness and auspiciousness of this chakra.
00:57:51 - Kalyani - Alapana
01:14:00 - Kalyani -
Kamalambam Bhajare -
Adi
by ML Vasanthakumari
3rd Avaranam
Sarvasamkshobana Chakra ("Agitator of All")
Embodies the eight-petaled lotus, signifying the stirring of the soul towards spiritual awakening. Shankarabharanam's majestic tone mirrors the transformative energy of this chakra.
01:27:46 - Shankarabharanam - Alapana
01:38:44 - Shankarabharanam -
Sri Kamalambikaya Katakshitoham -
Rupakam
by DK Jayaraman
4th Avaranam
Sarvasaubhagyadayaka Chakra ("Bestower of All Prosperity")
Relates to the fourteen-triangle enclosure, associated with bestowing auspiciousness and prosperity. The expansive nature of Kambhoji raga aligns with the chakra's theme of abundance.
01:50:08 - Kambhoji -
Kamalambikayai - Ata
by S Rajam
5th Avaranam
Sarvarthasadhaka Chakra ("Accomplisher of All Purposes")
Pertains to the ten-triangle enclosure, emphasizing the fulfillment of all endeavors. Bhairavi's depth and intensity convey the chakra's potent energies.
02:00:15 - Bhairavi - Alapana
02:15:43 - Bhairavi -
Sri Kamalambayah param -
Misra Jampa
by Madurai Mani Iyer
6th Avaranam
Sarvaraksakara Chakra ("Protector of All")
Represents the ten-triangle enclosure, focusing on divine protection. The haunting melody of Punnagavarali evokes a sense of seeking refuge and protection.
02:23:17 - Punnagavarali -
Kamalambikayaastava -
Rupakam
by Mani Krishnaswami
7th Avaranam
Sarvarogahara Chakra ("Curer of All Diseases")
Corresponds to the eight-triangle enclosure, symbolizing the eradication of all ailments and the attainment of perfect health. The gentle and soothing nature of Sahana raga reflects the healing and nurturing qualities associated with this chakra.
02:33:03 - Sahana - Alapana
02:42:19 - Sahana -
Sri Kamalambikayam -
Tisra Triputa
by Ramnad Krishnan
8th Avaranam
Sarvasiddhiprada Chakra ("Granter of All Perfections")
Pertains to the three-triangle enclosure, representing the bestowal of all accomplishments and spiritual perfections. The rare and evocative Ghanta raga enhances the mystic and profound nature of this chakra.
02:48:16 - Ghanta -
Sri Kamalambike -
Adi
by T Viswanathan
9th Avaranam
Sarvanandamaya Chakra ("Full of All Bliss")
Corresponds to the innermost point, the bindu, symbolizing the ultimate state of bliss and unity with the divine. Ahiri raga's poignant and meditative quality encapsulates the profound bliss and serenity of this chakra
02:54:29 - Ahiri - Alapana
02:56:36 - Ahiri
- Sri Kamalamba Jayati -
Rupakam
by M Balamuralikrishna
.
Mangala Kriti
Serves as the concluding piece, offering auspicious closure to the musical and spiritual journey.
The use of Sri raga, traditionally associated with auspiciousness, reinforces the sense of completion and benediction.
03:08:02 - Sri -
Sri Kamalambike -
Khanda Ekam
by
T.Brunda
Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
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sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
Ref.
Sri Muthuswami Dikshitar and Sri Vidya (7 of 8) | sreenivasarao's blogs
https://sreenivasaraos.com/2012/09/14/s ... ya-7-of-8/
The most outstanding of such series of compositions is of course the magnificent Kamalamba Navavarana kritis. They are incomparable compositions and are the jewels of Carnatic music.These compositions, intellectually sublime steeped in deep devotion, are a testimony to Sri Dikshtar’s musical genius, his mastery over the Sanskrit language; and his thorough knowledge of and intense dedication to Sri Vidya, Sri Chakra and the worship of its avaranas.
Through its graceful lyrics , majestic sweep of ragas and descriptive details rich in mystical symbolism of Tantra, Mantra, Yoga, Sri Vidya and Advaita ; Dikshitar virtually threw open the doors to the secret world of Sri Vidya,to all those eager to approach the Divine Mother through devotion and music.
It is amazing how Sri Dikshitar builds into each of his crisp and well-knit structure of lyrics, the references to the name of the chakra; the names of its presiding deity, yoginis, mudras, Siddhis and the gurus of the Kadi tradition of Sri Vidya ;and to the seed(Beeja) mantras. In addition he manages to insert, as ever, cogently, the name of the raga and his signature. The Kamalamba Navavarana is a treasure house not merely to the classical musicians but also to the Sri Vidya upasakas.
Kamala is one of the ten maha_Vidyas, the principle deities of the Shaktha tradition of Tantra.
But, the Sri Kamalamba referred to by Sri Muthuswami Dikshitar in this set of kritis, is the Supreme Divine Mother herself.
The immediate inspiration to Dikshitar was, of course, Sri Kamalamba (regarded one of the sixty-four Shakthi centers), the celebrated deity at the famous temple of Sri Tyagaraja and Sri Nilothpalambika in Tiruvavur..
Interestingly, the temple complex also accommodates the shrines of Maha_Ganapathi, Subrahmanya, Dakshinamurty and Balamba; all Shakthi deities. The temple complex has a Pushkarini, a lake, named kamalalaya, the abode of Kamala.This tank is referred to by Sri Dikshitar , in his kritis , as Kamalalaya thirtha and the Devi is Kamalalaya thirtha vaibhave. The town of Tiruvarur is mentioned as Kamala nagara (e.g. Kamalanagara viharinai) and as Kamala pura(e.g.Kamalapura sadanam) ; referring to Devi as one who resides in and walks about the town of Kamalapura/Kamalanagara.
Sri Muthuswami Dikshitar follows the Smahara krama, the absorption path, of Sri Chakra puja and proceeds from the outer avarana towards the Bindu in the ninth avarana at the center of the Sri Chakra. At each avarana, he submits his salutation and worships the presiding deity, the yogini (secondary deity) and the attendant siddhis of that avarana; and describes the salient features of the avarana according to the Kadi School of the Dakshinamurthy tradition of Sri Vidya. It is in effect both worship and elucidation.
Sri Dikshitar devoted one composition to each of the nine avaranas. In addition, there is a Dhyana Kriti, a verse in meditation, preceding the set of nine; and a Mangala kriti, the verse celebrating the auspicious conclusion, at the end. Thus, the Navavarana composition of Dikshitar, per se, is a set of eleven kritis.
The Dhyana kriti Kamalambike_ashrita_kalpa_lathike is composed in Raga Todi (Rupaka). The Vaggeyakara Mudra is in – Guruguhakarane Sadashiva antahkarane
[The Dhyana-kriti in Todi does not bear the customary Raga_mudra, the name of its Raga.]
The concluding Mangala Kriti – Sri Kamalambike Shive pahimam, Lalite , Sripathi Vinute – is in the auspicious Sri Raga , set to Khanda Eka Taala. The Raga Mudra is in the opening line as Sri; and, the Vaggeyakara Mudra is the phrase Shankara-Guruguha-bhaktha vasankari.
Apart from these eleven Kritis; It is customary, as a prelude to Kamalamba Navavarana group of kritis, to invoke Maha_Ganapathi and Lord Subrahmanya by singing Shri Mahaganapathivaratu mam (Gaula) followed byBalasubrahmanyam Bhaje (Surati).
**
Thus , the vocal tradition of the Kamalamba Navavarana has , in all, a set of thirteen kritis. The core kritis are however the nine relating to nine avaranas of Sri Chakra.
For the core nine kritis sang in worship of the Navavaranas of Sri Chakra, Sri Dikshitar employed nine different Ragas and eight different Vibhakthis (case endings denoting the noun) of Sanskrit grammar; and, in addition, for the ninth avarana kriti he employs a garland of all the eight Vibhakthis.
As regards the Raga-mudra, a distinctive feature of Sri Dikshitar’s compositions, the kritis in Anandabhairavi (first avarana), and shankarabharaaam (third avarana) indicate their Ragas only partially (the word “Ananda” for the former, and shankara for the latter). The kambhoji, Sahana, and Ahiri compositions have their Raga mudras hidden within complex phrases. In all the other kritis, the Raga mudra is explicit.
.
Sri Muthuswami Dikshitar and Sri Vidya (7 of 8) | sreenivasarao's blogs
https://sreenivasaraos.com/2012/09/14/s ... ya-7-of-8/
The most outstanding of such series of compositions is of course the magnificent Kamalamba Navavarana kritis. They are incomparable compositions and are the jewels of Carnatic music.These compositions, intellectually sublime steeped in deep devotion, are a testimony to Sri Dikshtar’s musical genius, his mastery over the Sanskrit language; and his thorough knowledge of and intense dedication to Sri Vidya, Sri Chakra and the worship of its avaranas.
Through its graceful lyrics , majestic sweep of ragas and descriptive details rich in mystical symbolism of Tantra, Mantra, Yoga, Sri Vidya and Advaita ; Dikshitar virtually threw open the doors to the secret world of Sri Vidya,to all those eager to approach the Divine Mother through devotion and music.
It is amazing how Sri Dikshitar builds into each of his crisp and well-knit structure of lyrics, the references to the name of the chakra; the names of its presiding deity, yoginis, mudras, Siddhis and the gurus of the Kadi tradition of Sri Vidya ;and to the seed(Beeja) mantras. In addition he manages to insert, as ever, cogently, the name of the raga and his signature. The Kamalamba Navavarana is a treasure house not merely to the classical musicians but also to the Sri Vidya upasakas.
Kamala is one of the ten maha_Vidyas, the principle deities of the Shaktha tradition of Tantra.
But, the Sri Kamalamba referred to by Sri Muthuswami Dikshitar in this set of kritis, is the Supreme Divine Mother herself.
The immediate inspiration to Dikshitar was, of course, Sri Kamalamba (regarded one of the sixty-four Shakthi centers), the celebrated deity at the famous temple of Sri Tyagaraja and Sri Nilothpalambika in Tiruvavur..
Interestingly, the temple complex also accommodates the shrines of Maha_Ganapathi, Subrahmanya, Dakshinamurty and Balamba; all Shakthi deities. The temple complex has a Pushkarini, a lake, named kamalalaya, the abode of Kamala.This tank is referred to by Sri Dikshitar , in his kritis , as Kamalalaya thirtha and the Devi is Kamalalaya thirtha vaibhave. The town of Tiruvarur is mentioned as Kamala nagara (e.g. Kamalanagara viharinai) and as Kamala pura(e.g.Kamalapura sadanam) ; referring to Devi as one who resides in and walks about the town of Kamalapura/Kamalanagara.
Sri Muthuswami Dikshitar follows the Smahara krama, the absorption path, of Sri Chakra puja and proceeds from the outer avarana towards the Bindu in the ninth avarana at the center of the Sri Chakra. At each avarana, he submits his salutation and worships the presiding deity, the yogini (secondary deity) and the attendant siddhis of that avarana; and describes the salient features of the avarana according to the Kadi School of the Dakshinamurthy tradition of Sri Vidya. It is in effect both worship and elucidation.
Sri Dikshitar devoted one composition to each of the nine avaranas. In addition, there is a Dhyana Kriti, a verse in meditation, preceding the set of nine; and a Mangala kriti, the verse celebrating the auspicious conclusion, at the end. Thus, the Navavarana composition of Dikshitar, per se, is a set of eleven kritis.
The Dhyana kriti Kamalambike_ashrita_kalpa_lathike is composed in Raga Todi (Rupaka). The Vaggeyakara Mudra is in – Guruguhakarane Sadashiva antahkarane
[The Dhyana-kriti in Todi does not bear the customary Raga_mudra, the name of its Raga.]
The concluding Mangala Kriti – Sri Kamalambike Shive pahimam, Lalite , Sripathi Vinute – is in the auspicious Sri Raga , set to Khanda Eka Taala. The Raga Mudra is in the opening line as Sri; and, the Vaggeyakara Mudra is the phrase Shankara-Guruguha-bhaktha vasankari.
Apart from these eleven Kritis; It is customary, as a prelude to Kamalamba Navavarana group of kritis, to invoke Maha_Ganapathi and Lord Subrahmanya by singing Shri Mahaganapathivaratu mam (Gaula) followed byBalasubrahmanyam Bhaje (Surati).
**
Thus , the vocal tradition of the Kamalamba Navavarana has , in all, a set of thirteen kritis. The core kritis are however the nine relating to nine avaranas of Sri Chakra.
For the core nine kritis sang in worship of the Navavaranas of Sri Chakra, Sri Dikshitar employed nine different Ragas and eight different Vibhakthis (case endings denoting the noun) of Sanskrit grammar; and, in addition, for the ninth avarana kriti he employs a garland of all the eight Vibhakthis.
As regards the Raga-mudra, a distinctive feature of Sri Dikshitar’s compositions, the kritis in Anandabhairavi (first avarana), and shankarabharaaam (third avarana) indicate their Ragas only partially (the word “Ananda” for the former, and shankara for the latter). The kambhoji, Sahana, and Ahiri compositions have their Raga mudras hidden within complex phrases. In all the other kritis, the Raga mudra is explicit.
.
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
M S Subbulakshmi
- Kamalaambike -
Todi
.
https://youtu.be/yzMKcy9NyI0?si=fyrtIRYFVYb-3ZL8.
Substance of the song:
kamalAmbike - Oh Goddess kamaAlmbika (the Lotus Mother)
Ashrita kalpalatike - Who is like a Kalpaka tree (that grants all boons) to those who seek refuge in You
caNDike - fierce One, one of the ten aspects of Shakti
kamanIya - attractive
aruNAmshuke - wearing the red robe
kara vidh.rtashuke - holding a parrot in the hand
mAm - me
ava - protect
kamalAsanAdi pUjita - worshipped by Brahma and other Gods
kamalapade - possessing lotus Feet
bahuvarade - showering plenty of boons (to devotees)
kamalAlayatIrtha vaibhave - imparting greatness to the tank KamalAlaya
shive - Auspicious One
karuNArNave - ocean of mercy
sakalalokanAyike - Ruler of all the worlds
saN^gItarasike - delighting in music
sukavitvapradAyike - granting the boon of poetic genius
sundari - Beautiful One
gatamAyike - Who has transcended the illusion
vikaLebhara mukti - salvation without body (videha mukti)
dAnanipuNe - adept in granting
aghaharaNe - One Who dispels all sins
viyadAdibhUtakiraNe - Who emanates the five elements, space, air, fire, water and earth
vinodacaraNe - with enchanting Feet
aruNe - reddish
sakale - full, complete
guruguhakaraNe - Mother of Guruguha
sadAshivAntaHkaraNe - inhabiting the heart of Lord Shiva
akacaTatapAdivarNe - the Embodiment of all letters, a, ka, ca, Ta, ta, pa etc
akhaNdaikarasapUrNe - filled with matchless bliss
......
https://www.medieval.org/music/world/ca ... amala.html
Oh Kamalambike, You are the Kalpaka tree to those who seek refuge in You. You, the Candika-fierce one wearing beautiful red silk and sporting a parrot in the hand, protect me.
Her lotus-like feet are worshipped by Brahma and others. She who bestows abundant blessing, who is the cause of the glory of Kamalalaya Lake, consort of Shiva, ocean of compassion.
She, the sovereign ruler of all the world, is fond of music. She who bestows the talent of poesy and is lovely. She who is beyond Maya-delusion, expert in granting salvation, remover of distress, whose rays are the five elements i.e. ether, etc. She whose feet are beautiful and red in color, who is radiant, mother of Guruguha and resides in the heart of Sadashiva. She who is the personification of the alphabet i.e. A, Ka, Ca, Ta, Ta, Pa, etc. She is the only essence of all the pervasive universe.
- Kamalaambike -
Todi
.
https://youtu.be/yzMKcy9NyI0?si=fyrtIRYFVYb-3ZL8.
Substance of the song:
kamalAmbike - Oh Goddess kamaAlmbika (the Lotus Mother)
Ashrita kalpalatike - Who is like a Kalpaka tree (that grants all boons) to those who seek refuge in You
caNDike - fierce One, one of the ten aspects of Shakti
kamanIya - attractive
aruNAmshuke - wearing the red robe
kara vidh.rtashuke - holding a parrot in the hand
mAm - me
ava - protect
kamalAsanAdi pUjita - worshipped by Brahma and other Gods
kamalapade - possessing lotus Feet
bahuvarade - showering plenty of boons (to devotees)
kamalAlayatIrtha vaibhave - imparting greatness to the tank KamalAlaya
shive - Auspicious One
karuNArNave - ocean of mercy
sakalalokanAyike - Ruler of all the worlds
saN^gItarasike - delighting in music
sukavitvapradAyike - granting the boon of poetic genius
sundari - Beautiful One
gatamAyike - Who has transcended the illusion
vikaLebhara mukti - salvation without body (videha mukti)
dAnanipuNe - adept in granting
aghaharaNe - One Who dispels all sins
viyadAdibhUtakiraNe - Who emanates the five elements, space, air, fire, water and earth
vinodacaraNe - with enchanting Feet
aruNe - reddish
sakale - full, complete
guruguhakaraNe - Mother of Guruguha
sadAshivAntaHkaraNe - inhabiting the heart of Lord Shiva
akacaTatapAdivarNe - the Embodiment of all letters, a, ka, ca, Ta, ta, pa etc
akhaNdaikarasapUrNe - filled with matchless bliss
......
https://www.medieval.org/music/world/ca ... amala.html
Oh Kamalambike, You are the Kalpaka tree to those who seek refuge in You. You, the Candika-fierce one wearing beautiful red silk and sporting a parrot in the hand, protect me.
Her lotus-like feet are worshipped by Brahma and others. She who bestows abundant blessing, who is the cause of the glory of Kamalalaya Lake, consort of Shiva, ocean of compassion.
She, the sovereign ruler of all the world, is fond of music. She who bestows the talent of poesy and is lovely. She who is beyond Maya-delusion, expert in granting salvation, remover of distress, whose rays are the five elements i.e. ether, etc. She whose feet are beautiful and red in color, who is radiant, mother of Guruguha and resides in the heart of Sadashiva. She who is the personification of the alphabet i.e. A, Ka, Ca, Ta, Ta, Pa, etc. She is the only essence of all the pervasive universe.
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
Navavarana Krithis
Mani Krishnaswami.
Sangitha KalANidhi MaNi krishnaswami
sings all the 11 krutis
2+1+7+1
https://youtu.be/ITsHPjwjaxk?si=-61BUEVmjqYlvWyR
..
Mani Krishnaswami.
Sangitha KalANidhi MaNi krishnaswami
sings all the 11 krutis
2+1+7+1
https://youtu.be/ITsHPjwjaxk?si=-61BUEVmjqYlvWyR
..
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
Sanskrit lyrics, word by word meanin for all the 11 krutis in the set.
..
Sri Maha Ganapatiravatu - Raga Gaula
https://guru-guha.blogspot.com/2008/08/ ... avatu.html
.
Bala Subhrahmanyam - Raga Surati
https://guru-guha.blogspot.com/2008/02/ ... -raga.html.
Kamalaambike Asrita - Raga Todi - Navaavarana
Dhyaana Keerthanam
kamalAmbikE ASrita - rAgaM tODi - tALaM rUpakam.
https://guru-guha.blogspot.com/2007/09/ ... srita.html
.
........
Kamalaambaa Samrakshatu - Raga Ananda Bhairavi - Navaavarana Kriti - First Avarana
kamalAmbA saMrakshatu mAm - rAgaM Ananda bhairavi - tALaM tiSra tripuTa
https://guru-guha.blogspot.com/2007/08/ ... shatu.html
.
Kamalaambaam Bhajarae - Raga Kalyaani - Navaavarana Kriti -
Second Avarana.
.
https://guru-guha.blogspot.com/2007/09/ ... jarae.html
.
Sri Kamalaambikayaa Kathaakshitoham - Raga Sankaraabharanam - Navaavarana Kriti -
Third Avarana
SrI kamalAmbikayA kaTAkshitO(a)haM- rAgaM SankarAbharaNam - tALaM rUpakam
.
https://guru-guha.blogspot.com/2007/09/ ... kayaa.html
.
Kamalaambikaayai Kanakaamsukaayai - Raga Kaambhoji - Navaavarana Kriti - Fourth Avarana
https://guru-guha.blogspot.com/2007/09/ ... aayai.html
.
Sri Kamalaambikaayaah Param - Raga Bhairavi - Navaavarana Kriti -
Fifth Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayaah.html
.
Kamalaambikaayaastava - Raga Punnaaga Varaali - Navaavarana Kriti - Sixth Avarana
.https://guru-guha.blogspot.com/2007/09/ ... astava.htm
Sri Kamalaambikaayaam Bhaktim - Raga Sahaana - Navaavarana Kriti - Seventh Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayaam.html
Sri Kamalaambikae Avaava - Raga Ghanta - Navaavarana Kriti -
Eighth Avarana.
https://guru-guha.blogspot.com/2007/09/ ... bikae.html
..
Sri Kamalaambaa Jayati - Raga Aahiri - Navaavarana Kriti -
Ninth Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayati.html
.
Sri Kamalaambike Sive - Raga Sri - Navaavarana Kriti -
Mangalam..tALaM khaNDa Ekam.
.https://guru-guha.blogspot.com/2007/09/ ... sivae.html.
.
..
Sri Maha Ganapatiravatu - Raga Gaula
https://guru-guha.blogspot.com/2008/08/ ... avatu.html
.
Bala Subhrahmanyam - Raga Surati
https://guru-guha.blogspot.com/2008/02/ ... -raga.html.
Kamalaambike Asrita - Raga Todi - Navaavarana
Dhyaana Keerthanam
kamalAmbikE ASrita - rAgaM tODi - tALaM rUpakam.
https://guru-guha.blogspot.com/2007/09/ ... srita.html
.
........
Kamalaambaa Samrakshatu - Raga Ananda Bhairavi - Navaavarana Kriti - First Avarana
kamalAmbA saMrakshatu mAm - rAgaM Ananda bhairavi - tALaM tiSra tripuTa
https://guru-guha.blogspot.com/2007/08/ ... shatu.html
.
Kamalaambaam Bhajarae - Raga Kalyaani - Navaavarana Kriti -
Second Avarana.
.
https://guru-guha.blogspot.com/2007/09/ ... jarae.html
.
Sri Kamalaambikayaa Kathaakshitoham - Raga Sankaraabharanam - Navaavarana Kriti -
Third Avarana
SrI kamalAmbikayA kaTAkshitO(a)haM- rAgaM SankarAbharaNam - tALaM rUpakam
.
https://guru-guha.blogspot.com/2007/09/ ... kayaa.html
.
Kamalaambikaayai Kanakaamsukaayai - Raga Kaambhoji - Navaavarana Kriti - Fourth Avarana
https://guru-guha.blogspot.com/2007/09/ ... aayai.html
.
Sri Kamalaambikaayaah Param - Raga Bhairavi - Navaavarana Kriti -
Fifth Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayaah.html
.
Kamalaambikaayaastava - Raga Punnaaga Varaali - Navaavarana Kriti - Sixth Avarana
.https://guru-guha.blogspot.com/2007/09/ ... astava.htm
Sri Kamalaambikaayaam Bhaktim - Raga Sahaana - Navaavarana Kriti - Seventh Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayaam.html
Sri Kamalaambikae Avaava - Raga Ghanta - Navaavarana Kriti -
Eighth Avarana.
https://guru-guha.blogspot.com/2007/09/ ... bikae.html
..
Sri Kamalaambaa Jayati - Raga Aahiri - Navaavarana Kriti -
Ninth Avarana
.
https://guru-guha.blogspot.com/2007/09/ ... ayati.html
.
Sri Kamalaambike Sive - Raga Sri - Navaavarana Kriti -
Mangalam..tALaM khaNDa Ekam.
.https://guru-guha.blogspot.com/2007/09/ ... sivae.html.
.
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
Sri Muthiswamy Dikshitar's
Kamalamba Navavarana Krithis Vol 1
Jukebox II
D.K.Jayaraman
https://youtu.be/-k9QMSDGFGA
upload by Carnatic classical
08:11 -- -- Kamalambike.......(Todi)...dhyaanam
===......
09:11 -- -- Kamalamba Samrakshatu....(AanandaBhairavi)
15:42 -- -- Kamalamba Bhajare.....KalyaaNi)..
21:46 -- -- Sri Kamalambikaya Katakshitoham((Sankarabaranam)
34:34 -- -- Kamalambikayai.....(Kamboji)
=========================================-------------------------------------------
Sri Muthiswamy Dikshitar's Kamalamba Navavarana Krithis Vol.2 ||
D.K. Jayaraman
https://youtu.be/AQLuRqjRRkU
uploaded by Carnatic claasical
vol-2
--
Sri Kamalambikayah Param Nahi.....Bhairavi
Kamalambikayastava Bhaktoham.....punnaagavaraaLi
Sri Kamalambikayam Bhaktim Karomi....sahaana
Sri Kamalabike Avava....Ghanta
Sri Kamalamba Jayati....Ahiri
...........
Sri Kamalambike....ShriRaagam
--------------------
Kamalamba Navavarana Krithis Vol 1
Jukebox II
D.K.Jayaraman
https://youtu.be/-k9QMSDGFGA
upload by Carnatic classical
08:11 -- -- Kamalambike.......(Todi)...dhyaanam
===......
09:11 -- -- Kamalamba Samrakshatu....(AanandaBhairavi)
15:42 -- -- Kamalamba Bhajare.....KalyaaNi)..
21:46 -- -- Sri Kamalambikaya Katakshitoham((Sankarabaranam)
34:34 -- -- Kamalambikayai.....(Kamboji)
=========================================-------------------------------------------
Sri Muthiswamy Dikshitar's Kamalamba Navavarana Krithis Vol.2 ||
D.K. Jayaraman
https://youtu.be/AQLuRqjRRkU
uploaded by Carnatic claasical
vol-2
--
Sri Kamalambikayah Param Nahi.....Bhairavi
Kamalambikayastava Bhaktoham.....punnaagavaraaLi
Sri Kamalambikayam Bhaktim Karomi....sahaana
Sri Kamalabike Avava....Ghanta
Sri Kamalamba Jayati....Ahiri
...........
Sri Kamalambike....ShriRaagam
--------------------
-
sam
- Posts: 1158
- Joined: 04 Mar 2020, 20:25
Re: Kamalamba Navavarana Kritis Muthuswami Dikshitar (1775–1835)
Devi Navavarna Krithis
Bombay Sisters
..
https://youtu.be/-43Hf53LAuI?si=oNUt9VzCSf7CdobN
Kamalambike 0:00:00
Kamalamba Samrakshathu 0:09:16
Kamalambam Bhajare 0:15:09
Sri Kamalambikaya 0:22:19
Sri Kamalambikayai 0:28:22
Sri Kamalambaya Param Nahire 0:35:23
Kamalambikaya 0:44:28
Sri Kamalambikayam 0:54:36
Sri Kamalambike 1:07:12
Sri Kamalambike Jayathi 1:14:32
Sri Kamalambike Siva Pahimam 1:26:00
Bombay Sisters
..
https://youtu.be/-43Hf53LAuI?si=oNUt9VzCSf7CdobN
Kamalambike 0:00:00
Kamalamba Samrakshathu 0:09:16
Kamalambam Bhajare 0:15:09
Sri Kamalambikaya 0:22:19
Sri Kamalambikayai 0:28:22
Sri Kamalambaya Param Nahire 0:35:23
Kamalambikaya 0:44:28
Sri Kamalambikayam 0:54:36
Sri Kamalambike 1:07:12
Sri Kamalambike Jayathi 1:14:32
Sri Kamalambike Siva Pahimam 1:26:00