C'mon... hair in your nostrils doesn't count!
Another snippet from Sruthi Blog
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Re: Another snippet from Sruthi Blog
If we consider that Sound at its basic existence is divine - and that is how the sAdhana is done - there is no need to further go into the lyrics or their meaning. Let me ask you why should a Mother who hands this off to the daughter insist on the correct way to sing this? Sruti Shuddham etc., if this is not sacred?
Secondly the community that kept this alive through generations, if indeed, kept such a rich tradition alive - then they were integral part of the culture/civilization/society - i.e. they were not persecuted by the rest!
This kind of dissection is modern - and also influenced by Abrahamic religions ( Sorry Nick - I just don't want to single out Christians - may be I could also say Victorian moral codes). In Indian sense you cannot deny that a human has the potential to be divine! Such a distinction should never be done especially inside an expressive form like traditional music. We should use the word sAhitya not lyrics!
There is no need to go deeper into philosophies. A daughter/son can refuse to abide by parent's guidance - simply telling them "I am just a product of your pleasure - why should I listen to you?" and that has happened to married parents in the U.S. That is all it takes to finish off the tradition. Imagine if successive generations of daughters did not view it like that and how that tradition proceeded and musical treasures made available to us. If the Mother did not treat and project this as divine or sacred to their daughters we would not have gotten it in the first place!!!
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Re: Another snippet from Sruthi Blog
Which is exactly my point! The moment we began labelling this, we lost the aesthetic in our Karnataka Sangeetham. For example, the Thodi Ata Tala Varnam refers to a golden limbed woman longing for Sarabhoji! Had this been composed today, Pallavi Gopalayyar would be faced with a barrage of libel suits!shankarank wrote: ↑19 Apr 2017, 10:12 This kind of dissection is modern - and also influenced by Abrahamic religions ( Sorry Nick - I just don't want to single out Christians - may be I could also say Victorian moral codes). In Indian sense you cannot deny that a human has the potential to be divine! Such a distinction should never be done especially inside an expressive form like traditional music. We should use the word sAhitya not lyrics!
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Re: Another snippet from Sruthi Blog
Ah! Our intellectuals carry on a tiNNaip pEchu (discussion)--a mighty intellectual one, displaying their impressive prowess--then, they condescend (descend?) to include mere human grooming details! Why, many of us wonder. Please don't bring in chromosomes and culture into those as well, as if to add value to such trivialities
Now that maDi has become part of our vocabulary at Rasikas.org, keep the discussions maDi, so that we can learn from the interactions of such bright minds you all richly possess...
sankarank,
Your posts are worth reading--call it a geriatric bias on my part, if you will.
As for Nick, maDi sangItam is his wont, but what else is? Bless him for that
Now that maDi has become part of our vocabulary at Rasikas.org, keep the discussions maDi, so that we can learn from the interactions of such bright minds you all richly possess...
sankarank,
Your posts are worth reading--call it a geriatric bias on my part, if you will.
As for Nick, maDi sangItam is his wont, but what else is? Bless him for that
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Re: Another snippet from Sruthi Blog
But indeed no want!A wont of wont of English Note
(Although I'll make an occasional exception for Suryaprakash)
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Re: Another snippet from Sruthi Blog
Nick,
Now, that's a ray of sun shine (as in surya prakash) for me!
Your wont is 'I won't', otherwise
Srikant,
If TNK is not Nick's pick...well, not only will I be stunned, but disappointed!
Now, that's a ray of sun shine (as in surya prakash) for me!
Your wont is 'I won't', otherwise
Srikant,
If TNK is not Nick's pick...well, not only will I be stunned, but disappointed!
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Re: Another snippet from Sruthi Blog
paDam evvaLavu serious-A irrundAlum naDu naDuvila Nagesh comedy illAma enda paDamum ODiyatillaiarasi wrote: ↑19 Apr 2017, 20:03 h! Our intellectuals carry on a tiNNaip pEchu (discussion)--a mighty intellectual one, displaying their impressive prowess--then, they condescend (descend?) to include mere human grooming details! Why, many of us wonder. Please don't bring in chromosomes and culture into those as well, as if to add value to such trivialities
(However serious a (tamil) movie can be , it never became a hit without comedy bits ( Nagesh) in between)
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Re: Another snippet from Sruthi Blog
TNK is certainly my want and wont.
Believe it or not, TMK can be too!
Believe it or not, TMK can be too!
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Re: Another snippet from Sruthi Blog
biT-illAmal hiTT-Akavillai
viTTEn AdallAl viTTaDikka
hmm.. I am getting into Arasi's mode!
viTTEn AdallAl viTTaDikka
hmm.. I am getting into Arasi's mode!
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Re: Another snippet from Sruthi Blog
Sometimes somone has to stand up to bullies.
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Re: Another snippet from Sruthi Blog
By TMK's time additional reinforcements were in store before he went to SSI - like he had Seetharama Sarma and then Chingelpet Ranganathan etc. - but still he was only technically perfect almost - never had that pause/abstraction and I am not referring to his speeding up for cresendo.
He is trying to do that by brute force now - searching for aesthetics in a deliberate fashion.
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Re: Another snippet from Sruthi Blog
Arasi - time to look for a cullU - as in it's time for 'cullU bhar pAni mein dUb marnA' - and no translations will be forthcoming!
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Re: Another snippet from Sruthi Blog
Looks like Arkay is reacting to our discussions or what?
So VVS does a substantive discussion - I must admit I have heard Ravi Shankar but never bothered to read or know much about him - yeah he worked with the Beatles that much I know.
https://youtu.be/GMLVsL16t0Y?t=5727
So the counter culture that attended the 1971 Bangladesh concert in New York : 500K buffalos on the mud - people like Pt. Ravi Shankar walked away from them. They may have had a warped view of what was Indic - and behaviour unacceptable to us. But they were the ones up against the Judaeo-Christian ( Can I use the term Abrahamic Nick? - Pt. Ravi Shankar I think will not score as popular if I took a walk down the lane of the Abrahamics in the Republic of Texas) American establishment fueled from behind by the Church - that our Spiritual gurus must have capitalized.
They behaved the way they did because they don't have the benefit of Sanskriti and Samskaras ( which can never be seen equivalent to catholicism)
https://en.wikipedia.org/wiki/Countercu ... _the_1960s
Some of them did experiment with Indian mystic ways. But Pt. Ravi Shankar would rather work with Scout boys of Symphonies more than those whose hearts beat for the Indic.
India lacked the narrative power at that time and lost on two fronts even as it liberated Bangladesh.
The hippies were appropriated by Chomksy and the like in the Anti-Vietnam war movement - the left appropriated the activism part. Any good out of it were assimilated, rather digested by the Judeo-Christian predator!
Back home the Bangladesh war that sent India into Soviet hands that had its own repercussions and our Academia were stuffed with Leftists!
That is the Indic lens view!
So VVS does a substantive discussion - I must admit I have heard Ravi Shankar but never bothered to read or know much about him - yeah he worked with the Beatles that much I know.
https://youtu.be/GMLVsL16t0Y?t=5727
So the counter culture that attended the 1971 Bangladesh concert in New York : 500K buffalos on the mud - people like Pt. Ravi Shankar walked away from them. They may have had a warped view of what was Indic - and behaviour unacceptable to us. But they were the ones up against the Judaeo-Christian ( Can I use the term Abrahamic Nick? - Pt. Ravi Shankar I think will not score as popular if I took a walk down the lane of the Abrahamics in the Republic of Texas) American establishment fueled from behind by the Church - that our Spiritual gurus must have capitalized.
They behaved the way they did because they don't have the benefit of Sanskriti and Samskaras ( which can never be seen equivalent to catholicism)
https://en.wikipedia.org/wiki/Countercu ... _the_1960s
Some of them did experiment with Indian mystic ways. But Pt. Ravi Shankar would rather work with Scout boys of Symphonies more than those whose hearts beat for the Indic.
India lacked the narrative power at that time and lost on two fronts even as it liberated Bangladesh.
The hippies were appropriated by Chomksy and the like in the Anti-Vietnam war movement - the left appropriated the activism part. Any good out of it were assimilated, rather digested by the Judeo-Christian predator!
Back home the Bangladesh war that sent India into Soviet hands that had its own repercussions and our Academia were stuffed with Leftists!
That is the Indic lens view!
Last edited by shankarank on 21 Apr 2017, 11:00, edited 2 times in total.
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Re: Another snippet from Sruthi Blog
I am not sure if that is what is being done today. Certainly the colonial remnant that passes for Sanskriti today is being equated with the hegemony akin to that of the American establishment of the 1960s/70s and you can see TMK citing the Jazz movement as an example of socio-political that arts engaged with and he positions himself as a countervailing force against what is currently the "classical" cultural establishment.shankarank wrote: ↑21 Apr 2017, 10:25 Sanskriti and Samskaras ( which can never be seen equivalent to catholicism)
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Re: Another snippet from Sruthi Blog
Well, I guess so. Abraham being specifically the father of the twelve tribes, I suppose one can't get much more Abrahamic than Judaism!Judaeo-Christian ( Can I use the term Abrahamic Nick? ...
But, in some important ways, it seems to me to stand different. Off the top of my head... It is not an evangelical religion; in fact, they make it quite difficult to join! The Rabinical thing seems to me closer to the Brahminical thing: they do not spout (not evangelical) their religion, they are seriously scholastic. And then there is the matter of being truly ancient. Oh, hey, they have arranged marriages too
I'm not an insider to either. Would you see Rabinical tradition as being, if not brothers, then maybe cousins, to your own tradition?
On top of all this... according to me (and at least a few others would agree) Jesus was Jewish, and never had any intention of founding a new religion. He was a reforming rabi: the Jewish establishment disowned him. So, according to The Word of Nick-H , Christianity is all a mistake! In that there is a body of gospel writings and stuff, my history/psychic/mystic friends and teachers tell me that it has more to do with Paul than it has with Jesus
We digress
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Re: Another snippet from Sruthi Blog
Well, Christians were able to do a narrative of persecution of Jesus by the Jews and that's how they learnt it as well, assuming Jesus story is somewhat true history. The underlying dogmas and their connections are worth the study.
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Re: Another snippet from Sruthi Blog
shankarank's usage of Abrahamic is primarily to mean "Non Hindu" and from what I see a way of lumping together all Jews, Christians & Muslims under a broad umbrella in order to piss a maximum number of people off.
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Re: Another snippet from Sruthi Blog
Indeed. That's what I don't like about it.
Sometimes he makes an interesting point, though.
Sometimes he makes an interesting point, though.
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Re: Another snippet from Sruthi Blog
At least I seem to have succeeded against one - if that was my intention.
Not really - it was to refer to some original concept whose foot print can be found in all the faiths - that is different from eastern traditions. If I used the term western - it is still too broad and there are so many other things like left leaning liberalism and other categories that their sociologists have laid out.
Also I would like to avoid crass identities - it may actually serve a purpose of respectfulness even as I seek to differentiate. Abrahamic became a category as Hinduism (if that is even a clear identity) many times did not have a seat on the narrative table even after Swami Vivekananda etc.
I also don't use Hindu that much if you noticed.
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Re: Another snippet from Sruthi Blog
Now that would be a candidate to break the Ghetto - at least a sitarist would succeed!
http://www.thehindu.com/news-service/ca ... epage=true
http://www.thehindu.com/news-service/ca ... epage=true
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Re: Another snippet from Sruthi Blog
When Zakir played for Shakti group - he did 7 over 4 ( 7 beats in a period of 4 Aksharas) and Srinivas/Selvaganesh especially/McLaughlin were doing tAlam with nerves busting out of their fingers (narambu puDaikka) and you could hear var-E-vahs and balE - ustAd-ji from the audience.
When Arun does the same thing @ Plano Courtyard theater for Ra-Ga sisters who did a tAlam somewhat attentively - nobody to acknowledge explicitly!
It takes a Birju Maharaj @ Spic Macay IITM to demonstrate such things when tavil vidvans were doing this as a matter of fact all over the south and no one knew or pointed out!
When Arun does the same thing @ Plano Courtyard theater for Ra-Ga sisters who did a tAlam somewhat attentively - nobody to acknowledge explicitly!
It takes a Birju Maharaj @ Spic Macay IITM to demonstrate such things when tavil vidvans were doing this as a matter of fact all over the south and no one knew or pointed out!
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Re: Another snippet from Sruthi Blog
Even as Ravi Shankar was taking in a hefty sum for events as early as 1960s - MSG was requesting a van that could seat him and his party comfortably to take him from Peoria IL, as recently as early 2000s, to his next stop, from the organizer and the organizer even would remember that to tell me later on!
A colleague of mine seated two seats away - attends the replica Mylapore Ghetto concerts of Dallas and I mentioned about this thread and debate and MSG - he asked is that the versatile artiste that does all 3 - violin/Mridangam/vocal? - obviously he knew andhi mazhai TVG not MSG. This person lived in Alwarpet as he grew up and rode bikes up and down Kutchery road where Arkay now sits! - he is a persona replica from the Ghetto to boot! And he is not all that ignorant - knows all the household names, ARI, GNB, MMI, SSI etc, I mean beyond MSS! and has heard CM played next door on the radio since child hood!
So we got work do inside the Ghettos - before we can dream about outside!
And Ghetto-ish members on this forum complain when Dr Narmadha plays popular numbers with Tavil/Tabla - hmm...
A colleague of mine seated two seats away - attends the replica Mylapore Ghetto concerts of Dallas and I mentioned about this thread and debate and MSG - he asked is that the versatile artiste that does all 3 - violin/Mridangam/vocal? - obviously he knew andhi mazhai TVG not MSG. This person lived in Alwarpet as he grew up and rode bikes up and down Kutchery road where Arkay now sits! - he is a persona replica from the Ghetto to boot! And he is not all that ignorant - knows all the household names, ARI, GNB, MMI, SSI etc, I mean beyond MSS! and has heard CM played next door on the radio since child hood!
So we got work do inside the Ghettos - before we can dream about outside!
And Ghetto-ish members on this forum complain when Dr Narmadha plays popular numbers with Tavil/Tabla - hmm...
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Re: Another snippet from Sruthi Blog
If I recall correctly, Narmada Garu stated explicitly that this was no 'normal' concert. Hence, the rabble-rouser's point was moot. Sadly, few realized this inherent contradiction...shankarank wrote: ↑27 Apr 2017, 09:28 And Ghetto-ish members on this forum complain when Dr Narmadha plays popular numbers with Tavil/Tabla - hmm...
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Re: Another snippet from Sruthi Blog
This is exactly what TMK is doing. Was doing, that is, before His Royal Highness decided performing in the Season was beneath him...shankarank wrote: ↑27 Apr 2017, 09:28 So we got work do inside the Ghettos - before we can dream about outside!
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Re: Another snippet from Sruthi Blog
Except that TMK is assisting with 3rd generation atrocity literature on the Indian cultural mileu. First generation was damning of the then custodians of music - British co-opting their loyal subjects! Second generation was the damning of the brahmin community - alleging sanskritization - caused by Aryan-Dravidian discourse, now third generation on the Bhakti seekers who not exposed to the art due to its tough periods during late 70s, 80s may have a way to connect with the art!
All with the west's definition of "art" as the basis!
All with the west's definition of "art" as the basis!
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Re: Another snippet from Sruthi Blog
Typical self-hating Brahmin behavior which seems to have become fashionable of late.shankarank wrote: ↑05 May 2017, 06:42 Except that TMK is assisting with 3rd generation atrocity literature on the Indian cultural mileu.
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Re: Another snippet from Sruthi Blog
Onto some non controversial controversies. Another Sruti Blog:
http://srutimag.blogspot.com/2017/04/sh ... evate.html
a snippet quote:
https://youtu.be/W6A5ucXApKc?t=6315 - look at that grand entry - for a 3 mAtra offset. The composition is so weighty as well and has that flow so a mridangist as exhuberant he is , is able to see structures.
Same experience was there in SSI javaLi with CSM for the javaLi smara sundarAnguni ( concert with ganajanayutam, kana kana rucira, gajavadana, dakshinNamUrte).
Another one with TNS/TS 1970s - akshaya linga vibhO - sAdhu janO pEta - Trichy Sankaran does a signature mEl kalam with no sense of hurry in it!.
So irrespective of pace viSranti manifests itself as a self similar artifact. All this is an achievement of the system as a whole and the abilities of artistes is just a necessity to get there. They themselves are powerless without such a handout and powerless ( or turn powerful whichever way you look at) once handed out!
For reference on this - please see : https://youtu.be/4ZkNnR--tMY?t=594
http://srutimag.blogspot.com/2017/04/sh ... evate.html
a snippet quote:
Not sure in what sense the term viSranti is used - is it only unhurried slow paced sedate music? viSranti exists in somewhat hurried music esp. late period javaLis like parulanna mATa.What some of these expert listeners however seem to lack is the ability to discriminate between good and bad music, between a proper voice and crooning, and vocal mannerisms over-dependent on the microphone. They are often guilty of lack of interest in visranti, mesmerised as they are by pyrotechnics and the more complex permutational swara expertise they look for in vidwans and vidushis
https://youtu.be/W6A5ucXApKc?t=6315 - look at that grand entry - for a 3 mAtra offset. The composition is so weighty as well and has that flow so a mridangist as exhuberant he is , is able to see structures.
Same experience was there in SSI javaLi with CSM for the javaLi smara sundarAnguni ( concert with ganajanayutam, kana kana rucira, gajavadana, dakshinNamUrte).
Another one with TNS/TS 1970s - akshaya linga vibhO - sAdhu janO pEta - Trichy Sankaran does a signature mEl kalam with no sense of hurry in it!.
So irrespective of pace viSranti manifests itself as a self similar artifact. All this is an achievement of the system as a whole and the abilities of artistes is just a necessity to get there. They themselves are powerless without such a handout and powerless ( or turn powerful whichever way you look at) once handed out!
For reference on this - please see : https://youtu.be/4ZkNnR--tMY?t=594
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Re: Another snippet from Sruthi Blog
Apropos nothing to the overall content/flow of this thread except branching from the mention of Trichy Sankaran to mridangam playing here is an exhilarating mridangam accompaniment for the varNam opener https://www.youtube.com/watch?v=RHt_CqQbd3g One doesn't (I didn't) play attention at the start but then it pulled you in to pay attention.
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Re: Another snippet from Sruthi Blog
kAraikuDi bAni has its own chiselled approach not surprising the way he reacts to the twists and turns. Vid. Ramesh is an able representative of that school, but tends to rely on certain sollus too often - for e.g: kiTA,ta-kiTakiTA,ta-tom. Heard a term for that punrAvRtti dOSham recently in a lecdem. If he diversifies his expressions he will have more appeal.
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Re: Another snippet from Sruthi Blog
https://youtu.be/_lT2g2--Izo?t=517 is another good one. V. Sankaranarayan takes full advantage of the pause resume and good effect on tiSram too!
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Re: Another snippet from Sruthi Blog
https://youtu.be/ZdpPrRfwFus?t=328 - so many varieties in the flow for siddhi vinayakam. Left / right balance is optimum level!
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Re: Another snippet from Sruthi Blog
Another one : Great start & 4 speed execution : https://youtu.be/eFOcv-l5GRA?t=112. Mridangist seems to have good hands - leftists on Mridangam seem to be doing good
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Re: Another snippet from Sruthi Blog
This is from another organization in Philadelphia called Sruti - not the Sruti magazine.
http://www.sruti.org/library/Sruti%20Ra ... i_2012.pdf
S. Sowmya at Swarthmore College
Report by Professor Steven P. Hopkins
Page 40:
http://www.sruti.org/library/Sruti%20Ra ... i_2012.pdf
S. Sowmya at Swarthmore College
Report by Professor Steven P. Hopkins
Page 40:
A google on Secular romance leads to results of non-secular ones and reading thru them will reveal the palpable tension within!Though Carnatic songs range widely in genre, from the praise of kings to secular romances, much of this repertoire is
in the service of a form of religious devotion that seeks to open up the human heart to floods of divine grace and divine
beauty, to spontaneous love of god – objective and subjective genitive – a refined art of religious emotion.
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Re: Another snippet from Sruthi Blog
From the same link above:
What is all this South Asian? I found a good question that someone asked in forums. Did Christopher Columbus look for South Asians when he set out to discover India? Did he call the natives Red Skinned South Asians?Steven P. Hopkins is a Professor of South Asian and Comparative Religion at Swarthmore College, Swarthmore,
Pennsylvania.