I was thinking of an ornament too. kuNDala or kuNDali can also mean bracelet or ear bobs. SO it could well refer to ornament of weist or ears. ALso note that nAgalinga is the name of a flower that is shaped just like the nAgalinga and is a favourite of ISvara. So it could also be interpreted as "Her with a ring/bracelet.earrings of the nAgalinga flower". It is quite common in karNATaka and i have also seen it in TN(tiruvalam jalagandhESvarar temple for instance). In fact roads in Mysore are lined by these trees (Jhansi Lakshmi Bai road).cmlover wrote:nAgalinga kuNDalISahitE?
beats me too! Can it be an ornament?
nAgakuNDalaM is what is popularly known as 'pAmbadaM' worn by 'old' women in TN!
Jayachamaraja Odeyar (Mysore Maharajah) - Part II
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The 95th kRti which has already been discussed is "SrIcakrapura nivAsini" in Suddhalalita.
Raja Chandra
In your list, please correct the supradIpa kRti to "pAhimAm SrI pancamAtangavadana".
Meena (and others)
In the list that you sent me(which I have posted), please correct the rAga of No-66-"mahAgaNapatim bhajEham" to amRtavAhini. It has been wrongly enetered as yadukulakAmbOdhi.
Raja Chandra
In your list, please correct the supradIpa kRti to "pAhimAm SrI pancamAtangavadana".
Meena (and others)
In the list that you sent me(which I have posted), please correct the rAga of No-66-"mahAgaNapatim bhajEham" to amRtavAhini. It has been wrongly enetered as yadukulakAmbOdhi.
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In parts of India where scented flowers are scarce, flowers native to the region are used in worship. We find chrysanthemums in garlands in the temples of North America. When peonies and lilacs are in bloom, they are acceptable too. I think fragrance takes priority when worshipping the gods with flowers. nAgalinga flowers have been grown in India for about two cenuries. The colonists brought them to our shores. A perfect flower! What if it is not mentioned in the books for the worship of gods, they must have thought. A perfectly wrought flower, a work of art and to boot, Shiva ensconced in a nAga, and the flower has such fragrance! There is a beautifully sculpted linga in the center of the bloom and because of it, though the nAga is flamboyant and exotic, vaishnavaits couldn't claim it for themselves. Otherwise, there could have been a NAga-SEshA war!
Last edited by arasi on 21 Aug 2006, 08:11, edited 1 time in total.
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kalyanraman-Paramapurusham-Lalithapanchamam
http://quickdump.com/files/38069970.html
ksg-Paramapurusham-Lalithapanchamam
http://quickdump.com/files/4344716.html
kvn-Paramapurusham-Lalithapanchamam
http://quickdump.com/files/482072227.html
http://quickdump.com/files/38069970.html
ksg-Paramapurusham-Lalithapanchamam
http://quickdump.com/files/4344716.html
kvn-Paramapurusham-Lalithapanchamam
http://quickdump.com/files/482072227.html
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Thanks for the tracks Coolkarni
lalitapancama, as used by odeyar, is a upAnga janya of the 15th mELa, mAyA mALavagauLa. its scale is
SR1G3M1D1N3S* | S*NDMPMGRS ||
It is thus the rAga lalita with pancama added, hence the nomenclature I think. The introduction of the pancama note reduces the intensity of the pathos in lalita and introduces a sense of samAdhAna/relief and a little of hAsya as well. A very pleasing rAga. madhyama, dhaivata and niShAda are important notes. pancama is crucial to differentiate from lalita and has to be shown every now and then.
Its scale is identical to vasantabhairavi save the difference in the niShAda . "paramapuruSham" of ST is also set to this rAga and scale.
But the rAga as described in SSP is a upAnga janya of the 14th mELa, vATI vasanta bhairavi/ vakuLAbharaNa. And the scale is
SGMDNS* | S*NDPMGRS ||.
Although MD's kRti in this rAga is not given in SSP, "bRhadISvarIm bhajarE rE citta" is given in other books.
lalitapancama, as used by odeyar, is a upAnga janya of the 15th mELa, mAyA mALavagauLa. its scale is
SR1G3M1D1N3S* | S*NDMPMGRS ||
It is thus the rAga lalita with pancama added, hence the nomenclature I think. The introduction of the pancama note reduces the intensity of the pathos in lalita and introduces a sense of samAdhAna/relief and a little of hAsya as well. A very pleasing rAga. madhyama, dhaivata and niShAda are important notes. pancama is crucial to differentiate from lalita and has to be shown every now and then.
Its scale is identical to vasantabhairavi save the difference in the niShAda . "paramapuruSham" of ST is also set to this rAga and scale.
But the rAga as described in SSP is a upAnga janya of the 14th mELa, vATI vasanta bhairavi/ vakuLAbharaNa. And the scale is
SGMDNS* | S*NDPMGRS ||.
Although MD's kRti in this rAga is not given in SSP, "bRhadISvarIm bhajarE rE citta" is given in other books.
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Coolkarni, I have explained the difference between these 2 rAgas- vasantabhairavi and lalitapancama. Sorry for saying they were no different earlier in another thread.
I know another elaborate paramapuruSHam by KVN is coming up. Is there a chance of hearing the MD kRti as well? That would help us understand how it sounds.
I know another elaborate paramapuruSHam by KVN is coming up. Is there a chance of hearing the MD kRti as well? That would help us understand how it sounds.
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sree MD kriti in raga lalitapancama
http://www.rogepost.com/dn/kc6l/brihade ... arajan.mp3
http://www.rogepost.com/dn/kc6l/brihade ... arajan.mp3
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I thought I would share a rare thanam in lalithapanchamam.Hope it is not too much of a digress.
http://rapidshare.de/files/30347200/Lal ... thanam.mp3
http://rapidshare.de/files/30347200/Lal ... thanam.mp3
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With reference to Meena's posting of MD's krithi in Lalitha Panchapam,
I see no trace of Kaakali Nishadham, as a janyam of Mayamalava Gowla. all I hear it Kaisiki Nishadham, all thru the song. Esp. notice, the word 'Bhajare' and 're' is N1 certainly not N2. I have the same rendition from Guruguha.org and wondered why it is sung that way. It is mostly like Vasantha Bhairavi reminding me of MD's Prasanna Venkateswaram ...
Any thoughts from experts ??
Srivathsan
I see no trace of Kaakali Nishadham, as a janyam of Mayamalava Gowla. all I hear it Kaisiki Nishadham, all thru the song. Esp. notice, the word 'Bhajare' and 're' is N1 certainly not N2. I have the same rendition from Guruguha.org and wondered why it is sung that way. It is mostly like Vasantha Bhairavi reminding me of MD's Prasanna Venkateswaram ...
Any thoughts from experts ??
Srivathsan
DRS
I am posting the clip of KVN -as requested by you..
paramapuruSham- lalitapancama- khaNDa cApu-swAti tirunAL- KVN
http://www.quickdump.com/files/1275280687.html
I am posting the clip of KVN -as requested by you..
paramapuruSham- lalitapancama- khaNDa cApu-swAti tirunAL- KVN
http://www.quickdump.com/files/1275280687.html
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See my notes on the rAga on the last page.sriucl wrote:With reference to Meena's posting of MD's krithi in Lalitha Panchapam,
I see no trace of Kaakali Nishadham, as a janyam of Mayamalava Gowla. all I hear it Kaisiki Nishadham, all thru the song. Esp. notice, the word 'Bhajare' and 're' is N1 certainly not N2. I have the same rendition from Guruguha.org and wondered why it is sung that way. It is mostly like Vasantha Bhairavi reminding me of MD's Prasanna Venkateswaram ...
Any thoughts from experts ?? Srivathsan
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And now pAhimAm SrI pancamAtanga in supradIpa, sankIrNa tripuTa
(clip courtesy coolkani)
Click here to download pAhimAm SrI pancamAtanga- supradIpa- sankIrNa tripuTa- oDeyar.mp3
(clip courtesy coolkani)
Click here to download pAhimAm SrI pancamAtanga- supradIpa- sankIrNa tripuTa- oDeyar.mp3
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mAtu of ||pAhimAm SrI pancamAtangavadana||
rAga: supradIpa ; sankIrNa tripuTa tALa
pAhimAm SrI pancamAtanga vadana gaNapatE |
parvata rAjakumArI sukumAra sadA namastE ||P||
dEhi mE sadbuddhim sarvakAryEShu siddhim |
sAhityAdi sakalaSAstra prakASakara lambOdara ||
ahitadUrIkaraNa catura dInamandAra anantaAnanta mahimAkara anAdi SrIvidyA rUpadhara SrIkara ||AP||
kShityAdi SivAnta ShaTtrimSat tattva darSana vikhyAta |
satyam j~nAnamanantEtyAdi vEda vAkya pratipAdita |
martyalOkavAsinAm agAdha bhavasAgara tAraka |
kartRtvAdyupAdhi rahita siddhivinAyaka SubhadAyaka ||
kShitISAdi samsEvita kShipraprasAdakara supradIpa svaprakASa saccidAnanda rUpa sadbhakta hitakara ||C||
rAga: supradIpa ; sankIrNa tripuTa tALa
pAhimAm SrI pancamAtanga vadana gaNapatE |
parvata rAjakumArI sukumAra sadA namastE ||P||
dEhi mE sadbuddhim sarvakAryEShu siddhim |
sAhityAdi sakalaSAstra prakASakara lambOdara ||
ahitadUrIkaraNa catura dInamandAra anantaAnanta mahimAkara anAdi SrIvidyA rUpadhara SrIkara ||AP||
kShityAdi SivAnta ShaTtrimSat tattva darSana vikhyAta |
satyam j~nAnamanantEtyAdi vEda vAkya pratipAdita |
martyalOkavAsinAm agAdha bhavasAgara tAraka |
kartRtvAdyupAdhi rahita siddhivinAyaka SubhadAyaka ||
kShitISAdi samsEvita kShipraprasAdakara supradIpa svaprakASa saccidAnanda rUpa sadbhakta hitakara ||C||
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Notes on ||pAhimAm SrI pancamAtangavadana||
rAga: supradIpa ; sankIrNa tripuTa tALa
pAhimAm- protect me; SrI pancamAtanga vadana gaNapatE- O gaNapati with a wide elephant face/ five elephant faces;
panca has the meaning of both 5 and wide;
parvata rAjakumArI sukumAra- Son of pArvati(the daughter of the king of mountians);
sadA- ever; namastE- Salutations to You.
dEhi mE- give me; sadbuddhim- good intellect;
sarvakAryEShu- and in all my undertakings; siddhim- success;
sAhityAdi sakalaSAstra prakASakara- You Who enlighten literature and all the other arts;
lambOdara- You with a pot belly;
ahita dUrIkaraNa catura- You Who are deft in removing discomfiting things;
dInamandAra- You who the wish giving tree to the needy;
anantaAnanta mahimAkara- You with innumerable good atributes/qualities/deeds;
anAdi SrIvidyA rUpadhara- You Who assume the form of the eternal SrIvidyA;
SrIkara- Doer of good(Giver of prosperity).
kShityAdi SivAnta ShaTtrimSat tattva darSana vikhyAta- You Who is famed for showing the 36 tattvas beginning with kShiti(bhUtattva, earth principle) and ending with Siva;
satyam j~nAnam ananta ityAdi vEda vAkya pratipAdita- You Who is taught by the lines in the vEda such as "satyam j~nAnam anantam";
martyalOkavAsinAm agAdha bhavasAgara tAraka - You Who take the mortals across the deep and vast ocean of samsAra;
kartRtvAdi upAdhi rahita- You Who is not tainted by "Doer"ship;
siddhivinAyaka; SubhadAyaka- Giver of prosperity;
kShitISAdi samsEvita- You WHo is served by kings et al;
kShipraprasAdakara- You Who grant wishes anon;
supradIpa- You Who is like a lamp; svaprakASa- Self-radiant;
saccidAnanda rUpa- You in the form of sat(virtue), cit(intellect/knowledge) and Ananda(bliss);
sadbhakta hitakara- You Who is benevolent to your devotees.
rAga: supradIpa ; sankIrNa tripuTa tALa
pAhimAm- protect me; SrI pancamAtanga vadana gaNapatE- O gaNapati with a wide elephant face/ five elephant faces;
panca has the meaning of both 5 and wide;
parvata rAjakumArI sukumAra- Son of pArvati(the daughter of the king of mountians);
sadA- ever; namastE- Salutations to You.
dEhi mE- give me; sadbuddhim- good intellect;
sarvakAryEShu- and in all my undertakings; siddhim- success;
sAhityAdi sakalaSAstra prakASakara- You Who enlighten literature and all the other arts;
lambOdara- You with a pot belly;
ahita dUrIkaraNa catura- You Who are deft in removing discomfiting things;
dInamandAra- You who the wish giving tree to the needy;
anantaAnanta mahimAkara- You with innumerable good atributes/qualities/deeds;
anAdi SrIvidyA rUpadhara- You Who assume the form of the eternal SrIvidyA;
SrIkara- Doer of good(Giver of prosperity).
kShityAdi SivAnta ShaTtrimSat tattva darSana vikhyAta- You Who is famed for showing the 36 tattvas beginning with kShiti(bhUtattva, earth principle) and ending with Siva;
satyam j~nAnam ananta ityAdi vEda vAkya pratipAdita- You Who is taught by the lines in the vEda such as "satyam j~nAnam anantam";
martyalOkavAsinAm agAdha bhavasAgara tAraka - You Who take the mortals across the deep and vast ocean of samsAra;
kartRtvAdi upAdhi rahita- You Who is not tainted by "Doer"ship;
siddhivinAyaka; SubhadAyaka- Giver of prosperity;
kShitISAdi samsEvita- You WHo is served by kings et al;
kShipraprasAdakara- You Who grant wishes anon;
supradIpa- You Who is like a lamp; svaprakASa- Self-radiant;
saccidAnanda rUpa- You in the form of sat(virtue), cit(intellect/knowledge) and Ananda(bliss);
sadbhakta hitakara- You Who is benevolent to your devotees.
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dhyAna SlOka
abhayavarada hastaH | pASa daNDAkSha mAla |
sRNi paraSu dadhAnO | mudgaram mOdakam ca |
phalamadhigata simhaH | pancamAtanga vaktrO |
gaNapatirati gauraH | pAtu hEramba nAmA ||
pancamAtanga mukha is also called hEramba gaNapati. Im sure Raja Chandra will come up with a nice pic from SrI tattva nidhi.
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