SorrySreeni Rajarao wrote:Track # 7 is Nedanuru Krishnamurthy.
MS Balasubramanya Sarma
SorrySreeni Rajarao wrote:Track # 7 is Nedanuru Krishnamurthy.
You are right . There was a time I would listen to only the stars of the day . And My Dad would prod me with the words :But fame and fortune and public approval of thousands or hundreds or whatever the right number is for CM, anyway comes to very few, and that is probably how it will always be?
And put me on a journey of a lifetime .The woods would be silent , if only those birds sang . The ones that sang best .
Sharadapriya by Dr K Vageesh...Nice mokshamu galada too, rendered in chowka kalam...mankuthimma wrote:I thought One was obvious to you . Where Rathipathipriya is touted as sharadapriya ( veena Venkatagiryappa's composition )
The case where someone gave up a career in science , for one in art :tmi:
Vachaspathi was by Uppalpatti Ankiah . Our Guruji Akella Sarma is on the violin here. MSG's Ekalavya
I know the cricketer , Brisbane 1968, but not the musicianmankuthimma wrote:http://www.mediafire.com/?hmashqsen8m9s05
Artist - 8
Shares the first two initials of his name with a flamboyant allrounder of yesteryears. Who flew in as a replacement , in Australia , drove to the ground , and hit a century.
The track is a bit long for this purpose . But please persist with your downloads.You will ask me for the full concert.
Ashok Malhotra is the only cricketer name that comes to my mind but I am not familiar with any Artist with that name.mankuthimma wrote:http://www.mediafire.com/?bxpbns3vo5x5c4h
Track 9 - A lovely track - Moves as a cool breeze from a rarely heard Diskhitar composition , through that favourite of mine -sangeetha samrajya sancharini , a sombre E Ramuni made poular by Somu and his Guru and setttling down to .....
Shares one half of his name with a Cricketeer who looked and played very much likr GR Viswanath He played a few tests for India too.
Lovely, lovely indeed! More details about this artist please.mankuthimma wrote: Track 9 - A lovely track - Moves as a cool breeze from a rarely heard Diskhitar composition , through that favourite of mine -sangeetha samrajya sancharini , a sombre E Ramuni made poular by Somu and his Guru and setttling down to ...
NarayanMy question in this thread is "what exactly is the problem with obscurity"?
this is top class. And the neraval too.mankuthimma wrote:http://www.mediafire.com/?c4jzt41ldjjb8h7
Track 11
An alapana fit for the Gods !!!
Such a lovely raga ,this. Lathangi.
Classic!!! 8)venkatakailasam wrote:I am reminded of the following:
After a wedding reception performance by the late Shri. Ariyakudi Ramanuja Iyengar, the groom's father told the music legend:
'Your recital now is much superior to what you sang last year. '
Ariyakudi replied " Ivvidam pattu appidiye thhaan irukku.
Avvidam dhaan gnaanam konjam vandhirukku. Adhanal dhaan appidi theriyaradhu
Gifted voice , but I wonder how exactly did this version ie a retuning of Dikshitar's lyrics (as long as it's not ardhradesi it's not a Dikshitar composition!) make it all the way to Andhra that too to someone of a Parupalli school?mankuthimma wrote:http://www.mediafire.com/?bxpbns3vo5x5c4h
Track 9 - A lovely track - Moves as a cool breeze from a rarely heard Diskhitar composition
Please do not!! People like DRS and Vidya are 'outliers' (I mean that in a very positive, and envious way), and they will continue to educate you along with the rest of us!!mankuthimma wrote:Only goes to show that , on the very few occasions I add some words to describe the links , I better shut up ...
This Vachaspathi RTP is very good. Thanks Thimma.Track 1 http://www.mediafire.com/?1tm8k5958g4gy18
Upplapatti Ankiah - Akellaji
True, but the CM system/tradition is as much to blame for that. With the prominence given to kritis to the point of exclusivity in the CM concert platform, instrumentalists have yet to find an independent place in the pantheon. In HM at least sitar players have been able to carve a separate identity for themselves with compositions meant for sitar. Nothing comparable has happened yet in CM for vINA players. But one is hopeful. These are still early days in CM innovation.Nick H wrote:There is a whole sector of brilliant musicians that are not fully recognised by public or sabhas. Indeed, they are even, on occasioned, maligned as a group --- and I'm betting that one or two responses to this post might not be positive...
The Violinists who sit modestly in their places by the main artist.
Putting aside the handful of elder greats, and their relatives, how many solo violinists? How many concerts are made available to those who want to play solo? Given the opportunity, I am sure there are more than a handful that would shine.
Hividya wrote:
Gifted voice , but I wonder how exactly did this version ie a retuning of Dikshitar's lyrics (as long as it's not ardhradesi it's not a Dikshitar composition!) make it all the way to Andhra that too to someone of a Parupalli school?
Rudraptnam Brothers track is heremummani_fan wrote: There was a CMANA concert years ago (I think in Y2K) by Rudhrapatnam Bro's, a thematic one on rare compositions of the trinity. Some songs I remember were the Kalagada krithi Parvathi Ninnu nera and the ArdradEsi krithi. Perhaps, some of the forumites may have a recording of this concert.
Thx
Mummani Fan