Mudra
-
- Posts: 78
- Joined: 05 May 2008, 23:51
Mudra for Devas: Two Tripathakas criss-cross at the wrist held above the head.
Mudra for Lakshmana: Shikhara on the right indicating the bow and tripathaka on the left held below (adjacent to thigh)....although I am pretty sure this is the mudra for lakshmana, I am not quite sure if I worded it properly...
-Kala
Mudra for Lakshmana: Shikhara on the right indicating the bow and tripathaka on the left held below (adjacent to thigh)....although I am pretty sure this is the mudra for lakshmana, I am not quite sure if I worded it properly...
-Kala
-
- Posts: 42
- Joined: 01 Apr 2009, 19:12
-
- Posts: 361
- Joined: 04 Jun 2006, 12:59
I was taught that for Lakshmana, it is shikhara on left and mayura on right. In addition to a peacock, this hasta also indicates a brother.
Bharat27, the right hand for Rama is either kapittha, katakamukha (the one with outstretched middle, ring, and pinky fingers), or when blessing Sri Hanuman, abhaya (pataka).
Bharat27, the right hand for Rama is either kapittha, katakamukha (the one with outstretched middle, ring, and pinky fingers), or when blessing Sri Hanuman, abhaya (pataka).
-
- Posts: 7
- Joined: 22 Dec 2009, 00:41
Hi Umesh,
Thanks. Sorry I mentioned someother mudra for Rama. I realised after typing it. Thanks for correcting me
By the way is there anything on youtube mentioning the Viniyogas like the uses of Pathaka mudra and all other mudras.
I know there is a lengthy sloka for pathaka and various meanings to it. Is there anything on youtube which would show the demonstration? thanks.
Thanks. Sorry I mentioned someother mudra for Rama. I realised after typing it. Thanks for correcting me
By the way is there anything on youtube mentioning the Viniyogas like the uses of Pathaka mudra and all other mudras.
I know there is a lengthy sloka for pathaka and various meanings to it. Is there anything on youtube which would show the demonstration? thanks.
-
- Posts: 67
- Joined: 29 Jan 2007, 19:55
Umesh, I think you're right...its mayura.
While we're on the topic-
In Ananda Narthana Ganapthim- there is a line '....mooladhara om kara gajavadanam paramam'...I was wondering how dancers interpret 'mooladhara'. I've so far seen some that use hamsasyo to draw a vertical line ( same as interpreting time/always). I also saw a dancer use mushti with her right hand. Any comments?
While we're on the topic-
In Ananda Narthana Ganapthim- there is a line '....mooladhara om kara gajavadanam paramam'...I was wondering how dancers interpret 'mooladhara'. I've so far seen some that use hamsasyo to draw a vertical line ( same as interpreting time/always). I also saw a dancer use mushti with her right hand. Any comments?
-
- Posts: 37
- Joined: 29 Oct 2008, 11:26
-
- Posts: 361
- Joined: 04 Jun 2006, 12:59
Divya,
In our choreography for that line, we use mushti. What Prathibha has described also makes sense. However, from what I've read about the meaning, a more accurate representation may be mukulam to alapadma (rising up from the pelvis). In the way the word is sung, there is enough time to do this.
In our choreography for that line, we use mushti. What Prathibha has described also makes sense. However, from what I've read about the meaning, a more accurate representation may be mukulam to alapadma (rising up from the pelvis). In the way the word is sung, there is enough time to do this.
-
- Posts: 78
- Joined: 05 May 2008, 23:51
The way I have learnt "Moolaadhaara" is to show spiralling suchi (Right hand )moving upwards starting from Naabhi (core) all the way up and above the head (indicating the chakra, I suppose) and opening into alapadma (like a blooming flower) and Aadhaara is Shikhara shown on Left hand at chest level. This happens so fast , I hope you get the picture. This was a choreography of Late Guru Narmada.
-
- Posts: 361
- Joined: 04 Jun 2006, 12:59
Interesting, DanceKala. I was talking about Guru Narmada's choreography as well, and I learnt only mushti at chest, though it is true there are different versions of her choreography for many pieces. That must be some fast spiraling! 
But you're right. That's another way to show mooladhara.

But you're right. That's another way to show mooladhara.
Last edited by Umesh on 24 Dec 2009, 07:42, edited 1 time in total.
-
- Posts: 78
- Joined: 05 May 2008, 23:51
Bharat27,
To depict Hanuman, you could use :
1. Mukula on both hands pointing down held near the chest
2. This is done facing to your left, Lift R leg backwards balancing on Left Leg; then hold Right hand (Mushti- as if holding Gadhaa-weapon) slightly below right shoulder and Pathaka on Left hand as carrying/lifting a mountain....I hope you get the picture...this pose though is a still one, it gives an image as if one is moving.
These are 2 poses that come to my mind on the fly. Others may have have different mudras to contribute....I would love to learn!
~Kala~
To depict Hanuman, you could use :
1. Mukula on both hands pointing down held near the chest
2. This is done facing to your left, Lift R leg backwards balancing on Left Leg; then hold Right hand (Mushti- as if holding Gadhaa-weapon) slightly below right shoulder and Pathaka on Left hand as carrying/lifting a mountain....I hope you get the picture...this pose though is a still one, it gives an image as if one is moving.
These are 2 poses that come to my mind on the fly. Others may have have different mudras to contribute....I would love to learn!
~Kala~
Last edited by DanceKala on 29 Dec 2009, 21:54, edited 1 time in total.
-
- Posts: 78
- Joined: 05 May 2008, 23:51
Umesh wrote:Interesting, DanceKala. I was talking about Guru Narmada's choreography as well, and I learnt only mushti at chest, though it is true there are different versions of her choreography for many pieces. That must be some fast spiraling!
But you're right. That's another way to show mooladhara.
It's nice to know that you learnt under Guru Narmada...I had the privelege of learning under her for an year and half and then I had to move. I truly cherish the time I spent learning under a great Guru such as herself.
~Kala~