Untimely demise of Mridanga vidwan Shri Palghat R. Raghu
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A colossal loss to the music world. His "edge of the seat" misra chapu thani where he played the thanaku thanaku thanaku combinations with so much poise and pulling of a dramatic thisra nadai of the same korvai are ever etched in my mind. I was not sure who was the singer/accompaniment for niri niri gama garisa in a popular video of Sri. KVN and Raghu sir. The regalness of his kappi sound, the way he played the chapu and thom with a microsecond gap in between them, His thisra nadai buildup to the tha thi thanam thathikitathom tha korvai. Above all, taking the simplest of korvai's tha kita thakadimdimtha dim, in thisra nadai, taking off 2 aksharam from the middle finger and landing at the arai edam, often played at frenetic pace, will remain a classic. His support for bhavanutha where he starts with na dim dim na for two avarthanams and then slowly easing into a madhyama kala style has taken my breath away each time I hear that song. He who used silence as a syllable most ably and communicated in scholarly abstractions, will be missed very very much.
Last edited by tharikita on 02 Jun 2009, 21:53, edited 1 time in total.
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Indeed coolji. what a tODi - in just 15 mins, srI dkj has given me the finest tODi experience - AhA.. amazing, this. the accompaniment is fantastic too - violin i believe is srI MSG and ofcourse, our srI pr on mrdangam. Those opening few strokes are just fantastic - not to mention those subtle little strokes (too bad i donot know the technical terms for such) during the Avartanam (not tani) are so carefully chosen - rich in aesthetics and with impeccable timing.coolkarni wrote:http://www.mediafire.com/?gyohzty0rjz
Sree Kamakashi Katakshi in Vasantha by Ramnad at Jamshedpur is such a scintillating bit
And
http://www.mediafire.com/?q2mzwwydnjz
and Sada Nee Pada -todi by DKJ
This loss will take some getting over.....
By any chance, would you have any tracks on a vINAi or chitravINai accompanied by pr? i remember listening to a ravikiran concert with him. the amba kAmAkShi i heard is still fresh in my mind. His mrdangam simply sounded totally different - so much so I was wondering if that was a problem with the tape or if the maestro tweaked his intrument to such a finesse - it started sounding close to a tabla!
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sorry tharikita, i was busy composing my blabberings while you posted. you have mentioned the very same things i wanted to say, and more. I did not know how to say these things.tharikita wrote:A colossal loss to the music world. His "edge of the seat" misra chapu thani where he played the thanaku thanaku thanaku combinations with so much poise and pulling of a dramatic thisra nadai of the same korvai are ever etched in my mind. I was not sure who was the singer/accompaniment for niri niri gama garisa in a popular video of Sri. KVN and Raghu sir. The regalness of his kappi sound, the way he played the chapu and thom with a microsecond gap in between them, His thisra nadai buildup to the tha thi thanam thathikitathom tha korvai. Above all, taking the simplest of korvai's tha kita thakadimdimtha dim, in thisra nadai, taking off 2 aksharam from the middle finger and landing at the arai edam, often played at frenetic pace, will remain a classic. His support for bhavanutha where he starts with na dim dim na for two avarthanams and then slowly easing into a madhyama kala style has taken my breath away each time I hear that song. He who used silence as a syllable most ably and communicated in scholarly abstractions, will be missed very very much.
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see how Narendran emulates his guruarasi wrote:May his students and the grandsons among them continue his great art by emulating him in every way...
http://rapidshare.com/files/240041341/k ... n.mp3.html
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Hindu obituary:
http://www.thehindu.com/2009/06/03/stor ... 020400.htm
http://www.thehindu.com/2009/06/03/stor ... 020400.htm
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What a great loss to the music world!! There is a different thread on the silences in MDR's music; To me the term "silences" strikes a chord when I listen to Raghu Sir's accompaniment - a gift he inherited from his legendary guru.
Inconsequential - In post #20, are you referring to the Enreco album which has "raghuvara nannu"? Raghu Sir's playing for the rainbow of sangathis in the pallavi is totally mind boggling - the mridangam simply sings along with Sri.KVN! He did tour the US with Ravikiran in 1995, I think. I remember driving down from Detroit to Columbus to listen to them at the temple.
Inconsequential - In post #20, are you referring to the Enreco album which has "raghuvara nannu"? Raghu Sir's playing for the rainbow of sangathis in the pallavi is totally mind boggling - the mridangam simply sings along with Sri.KVN! He did tour the US with Ravikiran in 1995, I think. I remember driving down from Detroit to Columbus to listen to them at the temple.
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PR playing for KVN, amba nannu - http://rapidshare.de/files/47397909/15- ... e.mp3.html
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PR with KVN for an RTP http://rapidshare.de/files/47398019/17- ... i.mp3.html
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We are all deeply saddened by the sudden demise of the legendary mrudanga chakravarthy Sri Palghat R. Raghu (Raghu mama to many of us). Several aspects of his life and his art are par extraordinaire. I respectfully pay my humble homage to his departed soul by highlighting a few aspects of this extraordinary artist. These are from my recollections from contributors to this forum and that of Sangeetham, which I gratefully acknowledge.
His life epitomized several lessons that are worthy of learning and emulation whatever may be one’s profession and occupation. He was a karma yogi and a gnana yogi in the true spirit of the word, which enabled him to achieve such greatness and reverence.
As a top-notch, world-renowned artist, Raghu mama carved a distinct niche in the art of mridangam that was characterized by great intelligence, innovation and a burning desire for constant learning and experimentation. Several rasikas, musicians, peers, and sishyas have spoken about his incredible passion for the art. Here are some excerpts:
Sri Chitravina Ravikiran describes in his salutation to Raghu mama, on the occasion of Sangeetha Kalanidhi award, "that even in the airport before catching a flight, he would be thinking about misra chapu tala"
His life epitomized several lessons that are worthy of learning and emulation whatever may be one’s profession and occupation. He was a karma yogi and a gnana yogi in the true spirit of the word, which enabled him to achieve such greatness and reverence.
As a top-notch, world-renowned artist, Raghu mama carved a distinct niche in the art of mridangam that was characterized by great intelligence, innovation and a burning desire for constant learning and experimentation. Several rasikas, musicians, peers, and sishyas have spoken about his incredible passion for the art. Here are some excerpts:
Sri Chitravina Ravikiran describes in his salutation to Raghu mama, on the occasion of Sangeetha Kalanidhi award, "that even in the airport before catching a flight, he would be thinking about misra chapu tala"
Last edited by Kambhoji on 03 Jun 2009, 08:37, edited 1 time in total.
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What I noticed was that especially for KVN and Nedunuri and the like, Raghu used to sit at a slight angle, inclined more towards the singer than the audience and used to play with intensity that gripped even the audience. Very active and involved playing, with nothing casual about it. I am no one to even comment on the wizardry of the playing itself.
A decade or so ago, Mumbai was fortunate in having him visit NCPA for 3-4 years every summer for a couple of months and several youngsters in Mumbai were able to take their playing a notch higher. These were mridangists trained in different schools, but Raghu was able to lift a whole bunch of them up.
A decade or so ago, Mumbai was fortunate in having him visit NCPA for 3-4 years every summer for a couple of months and several youngsters in Mumbai were able to take their playing a notch higher. These were mridangists trained in different schools, but Raghu was able to lift a whole bunch of them up.
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May his soul rest in peace. One of the greatest to have ever played the Mridangam. One of my heroes whom I looked up to always. The world isn't lucky enough to listen to him again. Just have been soaked in sadness since I heard the news. Here is a small tribute. A masterful thani of Raghu Mama and Shri Vinayakaram on Ghatam for KVN's Dhyaname varamaina. No words to describe. Class personified. The use of gumukki is unparelleled and ofcourse the elaborate thisram.
Raghu mama - Not just us, layam will miss u for ever.
http://www.sendspace.com/file/ncpso2
Love
Thathwamasi aka Ganesh Athreyaa
Raghu mama - Not just us, layam will miss u for ever.
http://www.sendspace.com/file/ncpso2
Love
Thathwamasi aka Ganesh Athreyaa
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A Lec-Dem by Palghat Raghu http://www.youtube.com/watch?v=fhNaxWeQtcQ
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Davalangi: Not sure of the Enreco label. It was one 'nonesuch' records, recorded in USA - titled i think dhyAnam - you can check here (may be listen also). But yes, it does contain a wonderful 'raghuvara nannu'.davalangi wrote: Inconsequential - In post #20, are you referring to the Enreco album which has "raghuvara nannu"? Raghu Sir's playing for the rainbow of sangathis in the pallavi is totally mind boggling - the mridangam simply sings along with Sri.KVN! He did tour the US with Ravikiran in 1995, I think. I remember driving down from Detroit to Columbus to listen to them at the temple.
http://www.engine-studios.com/vpp/India ... nList.html
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Here is a Voleti-MSG-PR track with a thani. A wonderful trio
http://www.mediafire.com/download.php?y2zddwkznty
http://www.mediafire.com/download.php?y2zddwkznty
Last edited by padren68 on 19 Jun 2009, 10:34, edited 1 time in total.
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A great loss for carnatic music world.. he was a master who attained brahmajnanam through music.. Defenitely its not just a demise. he attained Moksha..
Last edited by krishnamjc on 24 Jun 2009, 17:10, edited 1 time in total.
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Dear All Forum Members:
Can I humbly request the following members to freshen the links as I have entered recently?:
M/s. Prashant-KVN/VVS/PRR-Srisubramanyaya; Radhakrishnan; Ignoramus and Thathwamasi-KVN-PRR-THV-Dhyaname
I am also requesting the members to freshen the DKJ-Raghu lin k of Sada in Todi.
God bless you all.
Regards
Guru
Can I humbly request the following members to freshen the links as I have entered recently?:
M/s. Prashant-KVN/VVS/PRR-Srisubramanyaya; Radhakrishnan; Ignoramus and Thathwamasi-KVN-PRR-THV-Dhyaname
I am also requesting the members to freshen the DKJ-Raghu lin k of Sada in Todi.
God bless you all.
Regards
Guru