Vijaya Shiva @ Agastheewarar Temple (rasikas crt #16), June

Review the latest concerts you have listened to.
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rajeshnat
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Joined: 03 Feb 2010, 08:04

Post by rajeshnat »

Vijaya Shiva @ Agastheewarar Temple (rasikas crt #16), June 20th, 2009
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Venue : Agastheeswarar Temple , Nungambakkam
Date : June 20th (Pradosham Day)
Main theme : Shyama Sastri Krithis
Tomorrow(Jun 20th, 2009) vijayashiva performs in our 16th concert, from 06:45 to 9pm.
Accompanied by: RK Shriramkumar - violin & manoj shiva - mrudangam

One of you please note the songlist and post it . This should be a terrific concert for all in chennai to break :) the carnatic summer drought :( that we all are experiencing in the last few months.

Details of the venue are already available in http://rasikas.org/forums/viewtopic.php? ... -20th.html
Last edited by rajeshnat on 19 Jun 2009, 21:38, edited 1 time in total.

arasi
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Post by arasi »

Rajesh,
Does this mean that it may not be possible for you to be there for the whole concert, as you said earlier? Bharath is going to be absent too.
Hope many attend and enjoy the concert. Those of us who cannot, would love it if some of you share your experience of the concert and share the song list too...
Are any of the forum's performing artistes free so that they can attend? Vijay Siva is one of the few musicins who is seen in the audience of his fellow performers...

sridhar_ranga
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Joined: 03 Feb 2010, 11:36

Post by sridhar_ranga »

Song list:

1. DayaanidhE - BegaDa
2. pAhi SrI girirAja - Ananda Bhairavi (S)
3. karuNa jUDavamma - pantuvarALi (R) (corrected..thanks rbharath)
4. karuNAnidhi ilalO - tODi (R)
5. SlOkam + Kamakshi - Yadukua kAmbhOji
6. pAlintsu kAmAkshI - madhyamAvati (RNST)
NS@ rAjamukhi SyAmakrishNanuta kAncIpurISwari
7. Slokam + mAyammAyani - Ahiri
8.parAkEla nannu - kEd. gowLa
9. kanakaSaila vihArinI - punnAgavarALi
10. kAmAkshi lOka sAkshi - madhyamAvati
11. mangaLam / swasti prajAbhyAm
Last edited by sridhar_ranga on 21 Jun 2009, 08:34, edited 1 time in total.

arunk
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Post by arunk »

Awesome :)

Arun

rbharath
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Post by rbharath »

It was an amazing concert. I enjoyed every moment of it. All kritis were perfectly rendered. The manodarmam well matched. The accompanists were superb. The idea of a temple concert needs a big round of applause and it was a super hit. I thoroughly enjoyed it.

sorry to nitpick, but...

1. pAhi srI girirAja sutE had neraval and svarams at 'dInajana nikarE'
3. karuNa jUDavammA was the pantuvarALi kriti and not the varALi kriti
4. karuNanidhi ilalO also had neraval at 'kOmaLa mrudu bhAshiNi amba dEvI'

cienu
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Post by cienu »

Excellent list ! Thank u Sridhar. :)

Bharat, happy to note that you made it to the concert :)

rshankar
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Post by rshankar »

AWESOME!! Must have been one of those once-in-a-lifetime concerts!

Lakshman
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Post by Lakshman »

Interesting to note that he sang two songs in the same raga.

arasi
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Post by arasi »

Bharath,
Happy that you could make it and give us a review too.

Sridhar_rang,
Thanks for the song list. As Lakshman asks, were there two madhyamAvati songs? Was the latter one perhaps a request?

krishna kumar rangachari
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Joined: 21 Jun 2009, 07:01

Post by krishna kumar rangachari »

A beutiful concert indeed. First time I am listening to Vijay Shiva live. Were the organizers allowed to record the concert?

Shyam- thanks for informing/inviting us.

bilahari
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Joined: 03 Feb 2010, 09:02

Post by bilahari »

The list looks superb indeed. Detailed impressions, anyone?

semmu86
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Post by semmu86 »

wonderful concert... listening to a temple concert after a long time... it was as if the rain gods were waiting for the concert to get over to start pouring even though it was for a few minutes... apart from that , felt very nice from my part to meet some rasikas from this forum as this is the first time am attending a rasikas' event , though am a part of this forum for more than a year...

Got to meet coolji , uday and nick... hoping to met others in the days to come...

Arvind....
Last edited by semmu86 on 21 Jun 2009, 07:47, edited 1 time in total.

srikant1987
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Joined: 10 Jun 2007, 12:23

Post by srikant1987 »

The varNam made a nice and auspicious beginning. As it was being sung, I recalled that there are many varNams which wouldn't be very suitable for temple concerts, I think the other bEgaDa varNam (inta cAlamu) also. :)

The Anandabhairavi neraval was good, and swarams just flowed ... for a vocalist who has learnt mridangam also, it was nice to find that most swarams were sarva laghu only.

I liked the pantuvarALi kriti.

The tODi AlApanais, especially RKSK's, was something to remember. I was hearing this tODi kriti for the first time, and it's lovely. I was wondering how come ninnE namminAnu is a shade more popular!

The yadukula kambhoji viruttam was very nice. He began it with a gandharam, and somehow I could tell it was going to be yadukula kambhoji. I felt the swarajati could have been sung a little (even) slower.

pAlintcu kAmAkShi was sung with all caraNams, and neraval at the last caraNam's 'rAjamukhi ...' line.

mAyammAyani nE was begun with the anupallavi.

It was a tambura-only concert and no shruti box buttons were pressed before or after the punnAgavarALi (which was, of course, sung in madhyamashruti)

prashant
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Post by prashant »

What a list! Longing to hear the yadukulakAmbhOji swarajati especially. Sri Vijay's madhyamAvati is always special and he is one of the few to take up niraval at 'rAjamukhi' instead of the more commonly heard 'kAntamagu'. This must have been a soulful experience and I hope we can get to hear the recording. Thanks to all the organizers for taking the effort to organize this concert for us...

The niraval line for pAhi shri is 'dinajana nijakarE'

srikant1987
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Post by srikant1987 »

It should be dInajana nijakare I suppose. :)

coolkarni
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Post by coolkarni »

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PUNARVASU
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Post by PUNARVASU »

coolkarni wrote:
No recording medium could have captured the full spirit of the Concert
That sums up everything!

coolkarni
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Post by coolkarni »

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Last edited by coolkarni on 24 Nov 2009, 11:23, edited 1 time in total.

rajeshnat
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Post by rajeshnat »

VijayaShiva@Agastheewarar Temple (rasikas crt #16) on June 20th,2009
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Just few corrections in the song list that sridhar_rang had added (not adding time lines this time)
....
2. pAhi SrI girirAja - Ananda Bhairavi (N,S)
3. karuNa jUDavamma - pantuvarALi (R, S) (corrected..thanks rbharath)
4. karuNAnidhi ilalO - tODi (R,N)
5A. SlOkam "gAndharva ... kAnchi puri devatham"
+ Kamakshi - Yadukua kAmbhOji
...
7A. Slokam "nAdi nAratha thumbura vinuthE" - Ahiri
+ 7B. mAyammAyani - Ahiri
...

The temple I have been atleast 500 times , more frequented during my school days to clear few exams is generally crowd deficient . But being a piradOsham day, O my boy what a crowd we all could not even enter , atleast close to 1000 + potential new potential carnatic rasikas were there .

As cool rightly said the ether in a temple concert is much more than in a sabha , coupled with this musician vijayashiva who is my top #2 favourite of present artist the carnatic music was becoming more and more karnatakam . I used to wonder for the last few years that possibly akhilAndeshwari-dwijAvanthi of Muthuswamidikshitar should be sung as a sub main and agastheeswaram -lalitha of muthuswamidikshitar should be sung as a main simply as the main deity is agastheewarar and submain diety is akhilAndehwari (that is perhaps reserved for the next concert here for the next artist). This temple used to hold concerts for few years before I was born or when I was too young , but it just started after many many years (thanks to mantra's dad kalyAnasundaram and one gentleman by name krishnan mAma who was an elderly gentleman who sat in the first row.)

The theme of shamA sAstri in a concert in a temple had its bliss moment(was it always there) , with this backdrop few superpluses,pluses and shortcomings of the concert.

Few super pluses of the concert:
-------------------------
1. The serpentine queue was overflowing cutting across the 50 rasikas who were attentive , but it was just not possible to concentrate and get the music because of crowd .I lost half of begada as I was a waterboy for the concert and I tried to sit down where spilling crowd blocked the view. But in Ananda bhairavi the concentration of vijayashiva+rksk+manoJ to deliver a splendid neraval and swaras in a trademark DKP pAhi SrI girirAja was spectacular and kind of top 2 of the concert.

2. The top #1 belonged to the pristine yadhukulakAMbOdhi (he could have slowed a little bit but still it was great).Every line vijayashiva got the right emote of ykkAMbOdhi with the keyword kAmakshi was a splendid rendition.

3. The last punnagavarAli was a perfect drop that had a clean kAlapramanam and muse.

Few pluses of the concert:
-------------------------
1. PantuvarAli was sung with a lot of vigour but he could have gone for few more swara patterns for this rAgam.

2. Todi was also perfect , the artist was in command and I was happy to hear this out of circulation krithi and more importantly this todi drop created a ykKamBodhi swarajathi which was perhaps very close to my liking.

3. The play of RKSK lifted the concert but at few places there was little off key nAdham perhaps that was a little excess press of the violin.


Few shortcomings of the concert:
--------------------------------
1. Vijayashiva when he sings a slokham should make it a point to repeat the starting lines atleast twice both before ykkAmbOdhi and Ahiri was something I found it difficult to catch.

2. The main of madhyamavati of vijay was not the super madhyamavati that he generally delivers . I especially found the alApanai not to my liking , but certainly he made it up well with N and S.

3. Mridangam of manOjshiva could have had more strokes that could have got mingled better with the flow of singer .Tani was also a quick pass.

This is just a pure speculation:
4.On a side note , Lord Shiva with his devotees created a little late start of the concert from 06:45pm to 06:55pm , but Lord varunA was kind of waiting to hear more of vijayashiva and it did not rain from 08:45 pm onwards though showing some signs , Perhaps vijay could have dwelled little longer in madhyamAvati and gone for few more rAgamAlika slokhams.

But when he concluded with my personal request that I posted in the web (the madhyamAvati mangalam slokham)it was just pouring , pouring so hard that I only could spot cool once and said bye and left with rajumds to be dropped near my house.

On a side note it was a very long day for me all the way driving from mahabalipuram and eating some so called 5 star food after work and conference , the meditative style of vijayashiva was very soothing.

Overall a very good to excellent concert. Thanks to cool and the inspiration from his inspiration.

:cool:
Let us go next in the same temple (may be not in a paradOsham) and let us shoot for MD exclusive 3 hour concert as I wished before .

rajumds
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Joined: 03 Feb 2010, 11:16

Post by rajumds »

What a concert it was.

Wonderful setting, excellent selection of ragas and kritis ( I was bit disappointed when the swara jati didn't follow todi alapana but the DKJ special more than compensated ) and Vijaysiva in top form.

Couldn't meet fellow rasikas since I reached the venue just before the concert and had to rush out immediately after the concert .

keerthi
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Joined: 12 Oct 2008, 14:10

Post by keerthi »

Most interesting song list..! Matched by the comments of our discerning rasika-s..

I got a most gracious phone call, the morning of the concert; asking if there were any requests I would like to be forwarded to the artiste; and I just said some random stuff..
Today while I was racking fast-disappearing brains over a fellowship exam, epiphany struck..!
I slapped my forehead rather audibly, much to the alarm and irkment of other examinees...

Should have asked for a RTP chintAmaNi...!
Too late.., i reflected as i went back to ionophores and electrophoretograms..

KaruNajUdavamma in pantuvaraLi, I am seeing this for the first time.. I think it is given in varALI in most books, and I have heard three separate pAthAntara-s in it.. I didn't know this version existed.. can someone confirm the rAga Vijay shivA sang in..(again)


anybody who sings the mudrAcharaNam (rajAdhi-rAja-makuTI) for pAlincU is veneration-worthy in my book..

Also did he sing all the charana-s of KanakasailavihariNI..?

Isn't karuNAnidhi ilalO in tisra Adi...?

It would have been lovely if one of the shAstrI's lovely kalyANi or sAveri pieces were sung.. But then, I will have to grieve for every SS song that wasn't sung..

arunk
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Joined: 07 Feb 2010, 21:41

Post by arunk »

If I am not mistaken, his version for karuNajUdavamma would be DKP/DKJ's which is pantuvarali.

coolji - :) - but someone is still waiting for you ;) - I am disappointed that we wont be able to cherish the audio, but I am not surprised, as I do know that Vijay Siva is one of the artists who is strict about it.

arun
Last edited by arunk on 21 Jun 2009, 19:43, edited 1 time in total.

srikant1987
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Post by srikant1987 »

keerthi wrote:It would have been lovely if one of the shAstrI's lovely kalyANi or sAveri pieces were sung.. But then, I will have to grieve for every SS song that wasn't sung..
In fact, some time back, someone (I think the Carnatica Brothers) organised a 100-hour marathon concert series at Thyagaraja Vidwat Samajam in Mylapore. Can we have an all-of-Shyama's-compositions marathon like that? In fact, since there are only 70 or so compositions available to us, it shouldn't even take very long!

That said, himAdri sutE, talli ninnu and birAna varAlicci aren't uncommon, and neither are shankari sankuru, and durusugA is also not unheard of. I was indeed happy that the very rare varNam, and the rare Anandabhairavi and tODi kritis were featured. Also the yadukula kambhoji swarajati of course!

coolkarni
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Post by coolkarni »

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sridhar_ranga
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Post by sridhar_ranga »

Yes it was pantuvaraaLi.

rajeshnat
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Post by rajeshnat »

All those who attended,
When vijayashiva delivered the last madhyamAvati slOkham for a brief time he forgot the lyrics . Then what he did is my question?
1. Did he recollect all the lines from there?
or 2. Did he kind of did a quick thinking where he just added few lines of ShyamA sAstri like karuna, jooda etc and wrap it up.

Certainly in whatever way it was , the delivery was clean.But I am curious if is a case of #2 instead of #1. Perhaps one of the rasikas like bharath can answer or else it would be known only by vijayashiva and rksk.

BTW vidushi amritha murali was also there for the second half of the concert.

sridhar_ranga
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Post by sridhar_ranga »

coolkarni wrote: Missed the opportunity to get to know Sridhar and Rangachari.
Sridhar and Mrs Rangachari (my mom) were sitting in the last row. Mr. Rangachari doesnt like the Chennai weather and mostly spends his time 200+ KM away in a village.

Really felt Sorry not to have had the time to meet fellow forumites, including Coolji. Drove around the temple and the narrow lanes many times looking for parking and lost 10-15 minutes there. Entered when Vijay Shiva was in the middle of the varnam and had to take cover from the pouring rain once the concert ended.

Thank you for organizing this wonderful concert Coolji.
Last edited by sridhar_ranga on 21 Jun 2009, 23:12, edited 1 time in total.

keerthi
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Post by keerthi »

srikant1987 wrote: In fact, some time back, someone (I think the Carnatica Brothers) organised a 100-hour marathon concert series at Thyagaraja Vidwat Samajam in Mylapore. Can we have an all-of-Shyama's-compositions marathon like that? In fact, since there are only 70 or so compositions available to us, it shouldn't even take very long!
I second the suggestion..
srikant1987 wrote:That said, himAdri sutE, talli ninnu and birAna varAlicci aren't uncommon, and neither are shankari sankuru, and durusugA is also not unheard of. I was indeed happy that the very rare varNam, and the rare Anandabhairavi and tODi kritis were featured. Also the yadukula kambhoji swarajati of course!
there are other krti-s beside himAdrisutE/birAna and talli ninnu nera in kalyani.. jananI natajana-paripalini in saveri is supposed to be SS's first krti , and it is a indescribably great piece; as is srIpati-mukha-krta-pUjE.. I find most deliveries of Shankari sham kuru rather weak, and when it is in rupakam, it is a put off for me.. the krti dazzles in the tisra gait.. with all those lovely charaNa-s(that almost nobody sings..)

Nick H
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Post by Nick H »

I cannot believe that I flew in from a relatively dry London to rain in Chennai!

After a hard day (arrived home some time after 6.00am, with some naps, but mostly crises with cats (one gave the greatest welcome I could imagine, the other ran away with a heart-broken sob of a meow, and refused to come near me for 24 hours) and current (our electricity cable burned out) I finally made it in a taxi, who took some time to find the temple.

Making my way around the temple (what wonders are hidden behind the rows of Chennai small shops!) I located the sound of the music, and found myself being ushered by a succession of people, until Coolji himself put me in what seemed to be the only vacant chair, right in the front row!

About 25 hours previously, I had been boarding a plane in London, and we had managed to get a pair of bulkhead seats, enjoying our legroom, and our extra "shelf" (the baby-carrier shelf) --- so it was quite a day for good seats :)

We had booked an AC car, but that was before the power cut, and the call to the EB that established it was our personal power cut, so my poor wife had to stay behind with the EB men, who left us with a temporary connection and the instruction not to turn on too many things at once.

The concert (I got around to it at last!) was a wonderful welcome-back after my month away with, come to think of it, zero carnatic music.

After a missed night of sleep, and a 5,000 mile trip, I won't say much more.

The sparkling clarity of Manoj Shiva's play deserves a mention; his fast sequences were outstanding in this respect, with absolutely no blurring. Perhaps Mr Kannan deserves some credit too, for the fact that this came across through the PA!

The rain was both wonderful and a bit of a shame. It caused us to scatter faster than we might have done at the end, and I only got to speak to a few. I didn't have a chance to talk to any of the musicians.

It was not just the rain; my bed awaited, and my poor wife, who had been working hard for much of the time I had been enjoying music.
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arasi
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Joined: 22 Jun 2006, 09:30

Post by arasi »

Nick,
Nice to know you were there and enjoyed the concert.
You were a sport. So wa 'you know who'! Time to rest a bit.

vganesh
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Joined: 04 Feb 2010, 16:25

Post by vganesh »

excellent Ambience : I do not know whether it is the right word to be used for such a beautiful atmosphere.
Two things: One about pradosham, my good old days in the village where we would go behind the Lord chanting mantras; I could manage during the last phase and for me ..... what to say. In fact I like this place better than any sabha for a concert. In fact I was telling CoolJi that we conduct here only all the programs except for lecture-demos.
Next on the concert:
About the concert : It was very superb. Both violin and Mridangam gave excellent support.
On my side: I was not able to get Pantuvarali right. I do not know whom I disturbed ( May be rajesh I suppose) to ask. Please execuse :|
Thank you CoolJi, Shyam and others who are involved in organising this again.
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srikant1987
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Post by srikant1987 »

In fact I was telling CoolJi that we conduct here only all the programs except for lecture-demos.
That will put a taboo on many varNams and practically all padams and javalis.

@ nick H

The power cut must have indeed been extremely irritating, but it is good to know that they attended to your problem on the same day. :)

Nick H
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Post by Nick H »

I think that the temple concert should be an occasional gem in our series, for there are disadvantages as well as advantages.

One of the great advantages of a house/chamber concert is the proximity to the musicians, and the need for only minimal use of any amplification. I'm quite passionate about both these ideals --- and I use the word "ideals" purposely, as something to be cleaved to, but with recognition that they cannot always be achieved.

I wish I had had time (and climate!) for a little more exploration of this temple, and I very much hope that we are able to repeat our visit there. The small stage, and its placing, did give an intimacy I might not have expected from an open-air program.

In passing, let me mention the temple in Sriram Colony, Saidapet. It is also hard to find, having only one entrance/exit road, but well worth looking for when they are having a music season as they have some very good concerts. Those who love a concert in the temple atmosphere, please visit!

Thank you, Arasi! As I said, it was a wonderful way to return to Chennai, helping me to connect to my India roots immediately, rather than feeling vaguely "stateless" for a couple of days. I must remember this when scheduling future trips!

(The EB situation continues to be an irritation, and will be a considerable expense, as we must pay for a new cable to be laid, and have to severely limit our usage on the current temporary cable. Arasi will be glad to know that the EB engineer took care not to disturb the crows' nest-with-eggs on the pole :))

The concert was, indeed, superb --- in fact, I wonder, given the strength of Vijay Siva's voice, if he could not have filled that space without speakers! It would have been an unreasonable strain on his accompanists, of course.

Rajani
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Post by Rajani »

A concert which was more like an extended worship to Devi. I couldn't agree more with Coolji about temples being a natural setting for CM. And SS's soul-stirring kritis in VS' soulful voice - what more could one ask for. It was "sOnE pE suhAgA"! I wished for "Devi brova" too, though I realize I should have made my request earlier.

The accompanying artistes were brilliant too.

It was most fascinating to see the crowded, noisy temple change into a quieter place as the evening progressed. The temple I entered was not the same that I left, it seemed.

It was delightful to see many people from the forum, though I am sure I did not know everyone. ( Should we wear some id?) The rain , just moments after the concert was most welcome, though it did make meeting people difficult.

Thanks to those who made the event possible!

arasi
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Post by arasi »

Rajani,
So, you were there too! sonE pE suhAgA, indeed:) You are so right about the temple atmosphere. The noise of the crowds recedes to the background when the concert proceeds and once the temple empties itself of those who have come to worship, music of this kind and quality takes over and soothes you...

Nick,
Knowing you, you perhaps feel sort of rootless when you arrive in London too. If so, perhaps a concert the day after your arrival, at the Royal Albert Hall (!) or music anywhere else in town might make it a cinch for you...

rajeshnat
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Post by rajeshnat »

rajani/arasi,
What is this sonE pE suhAga , if you give me soNepapadi I will suvahA it within seconds. ;)

Nick,
More than you coming to the concert after a long flight , you came in your usual vidwan attire too... I and cool were talking at the beginning that nick will find it difficult to spot the temple , but you did it in nick of time rightfully picked the breezy rAga pantuvarAli time suiting your style and entry.

Nick H
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Joined: 03 Feb 2010, 02:03

Post by Nick H »

"6.00 pm" was a typo, should have read "6.00 am"!

So, I did not quite come straight from the airport, and did have some hours at home.

It was nice to get back into proper clothes again :)

rshankar
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Post by rshankar »

rajeshnat wrote:rajani/arasi,
What is this sonE pE suhAga , if you give me soNepapadi I will suvahA it within seconds. ;)
:lol: at Rajesh!

'sonE pE suhAgA' is a figure of speech that would be like 'azhagukku azhag(u)UTTuvadu' or, as Rajani has explained in another thread, 'pazham nazhuvi pAlil vizhundAr pOl' or, very prosaically, 'icing on the cake' - I guess it derives it meaning from that fact that 'auspicious' as gold is by itself, it becomes even more 'auspicious' when it adorns a suhAgan (sumangali).

arasi
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Joined: 22 Jun 2006, 09:30

Post by arasi »

Rajesh,
Sohan papDi, indeed! We the sweet-toothed kind see them everywhere--in gold too. Midas in the reverse!
Anyway, Vijay Siva gave a sOhan papDi of a concert which you enjoyed.
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coolkarni
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Post by coolkarni »

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coolkarni
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Post by coolkarni »

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coolkarni
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Post by coolkarni »

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vganesh
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Post by vganesh »

@rajesh, I also thought that he had forgotten those lines and trying recollect. But it was also like he going into meditation mood.
Rain was real excitement. Myself & my son rushed out immediately only to get wet. But it wasn't like Bombay rains :| To sum up it was a triple treat. The temple, The music and The rains.

Rajani
Posts: 1240
Joined: 04 Feb 2010, 19:52

Post by Rajani »

rajeshnat wrote:rajani/arasi,
What is this sonE pE suhAga , if you give me soNepapadi I will suvahA it within seconds. ;)

:)

A similar expression for the sweet-toothed rasikas:
"sarkarai pandalil tEnmAri pozhindAR pOl"
( Like a shower of honey on a canopy of sugar)

Nick H
Posts: 9472
Joined: 03 Feb 2010, 02:03

Post by Nick H »

vganesh wrote:... But it wasn't like Bombay rains :|
Come back in November! :)

srikant1987
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Joined: 10 Jun 2007, 12:23

Post by srikant1987 »

Oh no! I hope rains start early and get over before November.

srikant1987
Posts: 2246
Joined: 10 Jun 2007, 12:23

Post by srikant1987 »

He need not have bothered even if he had forgot.There was this encylopedia by his side in the form of RKSK
But it would have been enormously irritating to Vijay if RKSK (or anyone) had prompted out! In fact, RKSK's restrain at that moment is a monumental quality ... perhaps rarer than all his knowledge of music and shlokas.
Last edited by srikant1987 on 23 Jun 2009, 16:47, edited 1 time in total.

Rajani
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Joined: 04 Feb 2010, 19:52

Post by Rajani »

I am not very sure, but it did look like VS forgot for a second the swaras of one of the Charanams in the Yadukula Kambodhi Swarajati and RKS, ever so inobtrusively, prompted with his playing. The whole thing was over in about 5 seconds.

Nick H
Posts: 9472
Joined: 03 Feb 2010, 02:03

Post by Nick H »

srikant1987 wrote:But it would have been enormously irritating to Vijay if RKSK (or anyone) had prompted out!
I wondered about that: irritating; or helpful?

What is the protocol? To keep quiet unless asked by the musician for a prompt?

I guess that, if VS had wanted one, a glance would have been answered by a whisper, and the incident would have been over.

Perhaps musicians would consider this bad practice in terms of memory discipline?

arasi
Posts: 16873
Joined: 22 Jun 2006, 09:30

Post by arasi »

I have been guilty of 'prompting' in a whisper from the audience a few times when the vocalists forgot the words.
Rajani's observation was that it lasted but a few seconds. I even heard a vocalist finish with the pallavi of a different song in the same rAgam after along neraval and svaram, realized it within seconds and carried on with the original pallavi.
Vijay Siva has the ability to sing words in any language with clarity and confidence. The attention he pays to sAhityam is impressive.

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