rajeshnat wrote:akella gAru,
I have heard somewhere that Dr Balamuralikrishna has composed one in the rAgam tOdi which has lot of swaraAkshara. Cant recollect that .
saraguNa gAvumu (varNam) - tODi - mangalampalli bAlamuraLikRSNa
rajeshnat wrote:akella gAru,
I have heard somewhere that Dr Balamuralikrishna has composed one in the rAgam tOdi which has lot of swaraAkshara. Cant recollect that .
saraguNa gAvumu (varNam) - tODi - mangalampalli bAlamuraLikRSNa
Dear brother-members, rajeshnat, ramakriya and others, Instead of giving me a correct answer you are also giving me a question. Very nice, indeed! I have asked to name of a composition in which the maximum Svaraksharas are incorporated. Of course, we need such a complex theorem of Nashta & Uddishta of Talaprastara to find the required Tala among the infinite number of Talas. But, as this is not that difficult to answer my question our brother-members readily answered it correctly, though not with the number. However, I congratulate all of you. Thanking all of you for your nice response, amsharma.
Last edited by msakella on 06 Apr 2007, 08:18, edited 1 time in total.
Ma manini ni dhamagani ni dasari ni gada --todi
Saraguna gavumu varaguna nilaiye karimachala vadane (tv)--todi
Sudhanidhe mamava sada daya--todi
Telisikonu manna svatantraya manna sariga--todi
Tyagaraja gurum bhajeham tamasadi gunarahitam--todi
The charanam of Lavanya Rama (poornashadjam) - nI manasu nI sogasu nI dinusu when taken for neraval/kalpana may have enough scope for swarAksharas. At, least nI falls in place!
msakella wrote:Dear brother-members, rajeshnat, ramakriya and others, Instead of giving me a correct answer you are also giving me a question. Very nice, indeed! I have asked to name of a composition in which the maximum Svaraksharas are incorporated. Of course, we need such a complex theorem of Nashta & Uddishta of Talaprastara to find the required Tala among the infinite number of Talas. But, as this is not that difficult to answer my question our brother-members readily answered it correctly, though not with the number. However, I congratulate all of you. Thanking all of you for your nice response, amsharma.
akella gAru,
I still have not got the answer, may be you are putting a counter to our counter question ? Can you be little more explicit with your communication ?.
Last edited by rajeshnat on 13 Apr 2007, 14:24, edited 1 time in total.
TRS Mama sings sAmOdam cintayAmi rather differently than the conventional way, but in my opinion his interpretation has much more aesthetic value - e.g. the svarAkShara in the caraNam: mauni nikara GMN,,,N,,, ...the first N isin the madhya sthAyi, the second in the mandra sthAyi...outstanding.
Ashwin
Last edited by Ashwin on 13 Apr 2007, 20:49, edited 1 time in total.
Dear brother-member, rajeshnat, Today only I saw your post. Extremely sorry for the inordinate delay. Among the compositions of the earlier composers, I think, the Pada-varna, Pankajakshi-Adi-Kambhoji of Maha Vadyanatha Iyer stands first consisting of 72 Svaraksharas in total. All our brother-members brought out many examples obviously revealing that the contemporary composers have exceeded even this number. Very well indeed. Thanking you all, amsharma.
I have heard somewhere that Sri Ramaswamy dikshitar(MD's father) composed a varnam consisting only of swarksharams...something which goes like "sa ri ga ri da ni". More light on this?
-bhaktha