Jhampa talam
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"jhampa" without any explicit prefix implies miSra-jhampa: 7 + 1 + 2 i.e. a miSra laghu, an anudhrutam and then a dhrutam. If the song is "faster" (which it may not be), I think it can be put as 2 khaNDa cApus per 1 cycle of miSra jhampa. For example sIta kalyANa vaibhOgamE is supposed to be jhampa, but typically put as khaNDa cApu
Last edited by arunk on 28 Feb 2008, 04:39, edited 1 time in total.
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http://www.petelockett.com/pete%20new%2 ... india.html might be useful.
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dont forget that other variations of Jhampa thalam exist... like Khanda jathi jhampa thalam, which is 8 aksharams, or 16 (2 kalai). Shyama Sastri's krithi Sari Evaramma is set to this thalam (you can see that it set to this instead of Adi thalam, the arudhi comes after the 10th beat as opposed to after the 8th beat).
Chatusra Jathi Jampa is also commonly used for pallavis (that would be 7 aksharams).
The most popular krithis in misra jampa are Thyagaraja's Daatsu Kovalena and Munnu Ravana.
Chatusra Jathi Jampa is also commonly used for pallavis (that would be 7 aksharams).
The most popular krithis in misra jampa are Thyagaraja's Daatsu Kovalena and Munnu Ravana.
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Dear brother-member, sankirnam, The Talangas have ‘kriyas’ i.e., acts like beats or waving-hands or finger counts etc., as their limbs and these ‘kriyas’ in turn have ‘aksharas’ i.e., 1 or 2 or 3 or 4 and so on as the case may be carrying by each one of them. In general, many of our Vidwans, in the absence of proper theoretical knowledge, are always used mis-spell the words. I hope you understand my point and try to use the correct word. amsharma.
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Dakshinamurthe in Shankarabharanam is set to Misra Jhampa Tala and there is also another kriti in Vegavahini set to Misra jhampa Tala-I think this kriti starts with "Veena Pusthaka Darini".
Jhampa Tala has five types based on Laghu variants viz., Tisra, Chatusra, Khanda, Misra and Sankeerna. The Tisra Laghu takes three, chatusra is four, khanda is five, Misra is seven and sankeerna is 9 finger counts respectively and correspondingly the total count per cycle of a tala also varies viz., 6,7,8,10,12.
The jhampa tala has the following structure :
One Laghu which is a variable according to the variety mentioned above.
One Anudruta which is a simple clap
and One Druta which is a clap and a wave.
The anudruta and druta remains constant whereas the laghu takes the variants to form the total count per cycle for a particular tala.
Mannarkoil J Balaji
Jhampa Tala has five types based on Laghu variants viz., Tisra, Chatusra, Khanda, Misra and Sankeerna. The Tisra Laghu takes three, chatusra is four, khanda is five, Misra is seven and sankeerna is 9 finger counts respectively and correspondingly the total count per cycle of a tala also varies viz., 6,7,8,10,12.
The jhampa tala has the following structure :
One Laghu which is a variable according to the variety mentioned above.
One Anudruta which is a simple clap
and One Druta which is a clap and a wave.
The anudruta and druta remains constant whereas the laghu takes the variants to form the total count per cycle for a particular tala.
Mannarkoil J Balaji
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Here is a nice thani by UKS sir for misra jampa thalam, from TNS's 1979 KGS concert, main piece is Daatsu Kovalena.
http://www.sendspace.com/file/p1qy5u
http://www.sendspace.com/file/p1qy5u
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How is the tala being put by SSI Sir for Dakshinamurthe here?:
http://tributes.sangeethapriya.org/diks ... ithis.html
(The one that says 'Unknown' is SSI Sir).
Is it retta kalai 7 laghu + retta anudhrtam + retta kalai dhrtam?
14 + 2 + 4 = 20 counts?
http://tributes.sangeethapriya.org/diks ... ithis.html
(The one that says 'Unknown' is SSI Sir).
Is it retta kalai 7 laghu + retta anudhrtam + retta kalai dhrtam?
14 + 2 + 4 = 20 counts?
Last edited by mahesh_narayan on 12 Apr 2008, 22:16, edited 1 time in total.
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My higly amateurish impression is that it is in 1 kaLai since the big stress on 'the' of murthe is 7 "1 kalai" beats away from "dha" of dhakshina. It is a tradition to map that big stress to the anudhrutham of misra jampa. Had it been 2 kAlai it would put the eduppu too far away from samam. That is my reasoning for picking 1 kaLai. It can be totally wrong
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