Emani nE - mukhAri - Adi-2 - subbarAya shAstri
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Emani nE. rAgA: mukhAri. Adi tALA.
P: Emani nE nI mahima delupudunamma
A: sAmaja gAmini (nIvE amba) sArasa lOcani
(svara sAhitya)
rAkendu vadana vinumika nI sariga daivamu gAna padAbjamula
sadA vinuti salipitE nata janArti haraNa nIvE nA talli
C: hari hara sura muni varuDanu nE nIdu caraNa mahima pogaDuTa taramA naruDanu nE
pAmaruDanu dEvi vara kAnci purAlaya vAsini shrI paradEvatE nIdu kumAruDanamma
P: Emani nE nI mahima delupudunamma
A: sAmaja gAmini (nIvE amba) sArasa lOcani
(svara sAhitya)
rAkendu vadana vinumika nI sariga daivamu gAna padAbjamula
sadA vinuti salipitE nata janArti haraNa nIvE nA talli
C: hari hara sura muni varuDanu nE nIdu caraNa mahima pogaDuTa taramA naruDanu nE
pAmaruDanu dEvi vara kAnci purAlaya vAsini shrI paradEvatE nIdu kumAruDanamma
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Here are a couple of links for this song:
http://sangeethamshare.org/hariharan/MD ... Mukari.mp3 (MDR)
http://sangeethamshare.org/tvg/UPLOADS- ... sAstri.mp3 ( Ramaprasad )
http://sangeethamshare.org/hariharan/MD ... Mukari.mp3 (MDR)
http://sangeethamshare.org/tvg/UPLOADS- ... sAstri.mp3 ( Ramaprasad )
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The chittaswarams for this song are very nice. Sri. SubbarAya ShAstri seems to be a master at producing some awesome chittaswaras. The chitta swaras for Sankari Neeve in Begada are one of a kind ( hope I am attributing this to SubbarAya ShAstri correctly ) and that was my previous reference point to this composer and this Mukhari one is right up there.
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There is another composition in thodi, that too has nice c.swaram(popularised by DKP).
Straightaway I am unable to write the name of the composition from memory. ( i think it starts like nANu brochutaku.... ). This is a Commercial Cassette of DKP( 3 Cassettes Pack) released by Sri Krishna Gana Sabha few years back.
Straightaway I am unable to write the name of the composition from memory. ( i think it starts like nANu brochutaku.... ). This is a Commercial Cassette of DKP( 3 Cassettes Pack) released by Sri Krishna Gana Sabha few years back.
Last edited by vs_manjunath on 03 Jun 2009, 10:36, edited 1 time in total.
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Emanine is one that many people have sung: Apart from the ones mentioned here, there are Nedunuri and Ramnad versions floating around (they being my favourites, wanted to bring them in!). This fact - many different types of musicians singing a song - itself lends a sheen to a song. The c.swaram has the SRSNDPDS, with the catusrati dhaivatam in the descent in almost versions.
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Adding Sri. Govindan's link to this song. He provides translations and commentary: http://thyagaraja-vaibhavam.blogspot.co ... -raga.html
Thanks Narayan on the info about D2 being used in that descent ( D1 is normally predominant in descent )
In addition, Rama Ravi is quoted here, http://www.carnatica.net/newsletter/muk ... letter.htm, "The passage Ri-Sa-ni-dha-pa in the Chittaswara portion of the kriti ‘Emani ne’ is an illustration for Orikkai type"
What is Orikkai and how is that applied here for Ri-Sa-ni-dha-pa ?
Thanks Narayan on the info about D2 being used in that descent ( D1 is normally predominant in descent )
In addition, Rama Ravi is quoted here, http://www.carnatica.net/newsletter/muk ... letter.htm, "The passage Ri-Sa-ni-dha-pa in the Chittaswara portion of the kriti ‘Emani ne’ is an illustration for Orikkai type"
What is Orikkai and how is that applied here for Ri-Sa-ni-dha-pa ?
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Orikkai is a variety of the gamaka called kurula, oddukkal being the other sub-species of kurula..vasanthakokilam wrote: In addition, Rama Ravi is quoted here, http://www.carnatica.net/newsletter/muk ... letter.htm, "The passage Ri-Sa-ni-dha-pa in the Chittaswara portion of the kriti ‘Emani ne’ is an illustration for Orikkai type"
What is Orikkai and how is that applied here for Ri-Sa-ni-dha-pa ?
In orikkai, one plays/ sings more than one swara while apparently standing at one swara..
if the notation R S N D P is sung R(g)S(r)N(s)D(n)P(d) ; it is termed orikkai..
This is from vidya's english vewrsion of the SSP..
orikaiâ€â€Â
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