Emani nE - mukhAri - Adi-2 - subbarAya shAstri

Place to go if you want to ask someone identify raga, tala, composer etc or ask for sāhitya (lyrics) or notations or translations.
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srikant1987
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Joined: 10 Jun 2007, 12:23

Post by srikant1987 »

Could anyone give lyrics of this song?

If notation is more or less standard between different bANis, notation will be preferred too, if available.

Lakshman
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Post by Lakshman »

Emani nE. rAgA: mukhAri. Adi tALA.

P: Emani nE nI mahima delupudunamma
A: sAmaja gAmini (nIvE amba) sArasa lOcani
(svara sAhitya)
rAkendu vadana vinumika nI sariga daivamu gAna padAbjamula
sadA vinuti salipitE nata janArti haraNa nIvE nA talli

C: hari hara sura muni varuDanu nE nIdu caraNa mahima pogaDuTa taramA naruDanu nE
pAmaruDanu dEvi vara kAnci purAlaya vAsini shrI paradEvatE nIdu kumAruDanamma

vs_manjunath
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Post by vs_manjunath »

This is sung by Alathur Brothers in an Commercial AIR Record.

vasanthakokilam
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Post by vasanthakokilam »


vasanthakokilam
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Post by vasanthakokilam »

The chittaswarams for this song are very nice. Sri. SubbarAya ShAstri seems to be a master at producing some awesome chittaswaras. The chitta swaras for Sankari Neeve in Begada are one of a kind ( hope I am attributing this to SubbarAya ShAstri correctly ) and that was my previous reference point to this composer and this Mukhari one is right up there.

vs_manjunath
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Post by vs_manjunath »

janani niNuvina- Reethi Gowlai also has an excellent c.swaram.

vasanthakokilam
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Post by vasanthakokilam »

Thanks vs_manjunath. Yes, I forgot about janani niNuvina. Another gem from SubbarAya ShAstri. I guess his Chitta swarams are one of his specialties and what a specialist he is! I am now on an expedition to listen to his other compositions!

vs_manjunath
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Post by vs_manjunath »

There is another composition in thodi, that too has nice c.swaram(popularised by DKP).
Straightaway I am unable to write the name of the composition from memory. ( i think it starts like nANu brochutaku.... ). This is a Commercial Cassette of DKP( 3 Cassettes Pack) released by Sri Krishna Gana Sabha few years back.
Last edited by vs_manjunath on 03 Jun 2009, 10:36, edited 1 time in total.

vs_manjunath
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Post by vs_manjunath »


narayan
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Post by narayan »

Emanine is one that many people have sung: Apart from the ones mentioned here, there are Nedunuri and Ramnad versions floating around (they being my favourites, wanted to bring them in!). This fact - many different types of musicians singing a song - itself lends a sheen to a song. The c.swaram has the SRSNDPDS, with the catusrati dhaivatam in the descent in almost versions.

vasanthakokilam
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Post by vasanthakokilam »

Adding Sri. Govindan's link to this song. He provides translations and commentary: http://thyagaraja-vaibhavam.blogspot.co ... -raga.html

Thanks Narayan on the info about D2 being used in that descent ( D1 is normally predominant in descent )

In addition, Rama Ravi is quoted here, http://www.carnatica.net/newsletter/muk ... letter.htm, "The passage Ri-Sa-ni-dha-pa in the Chittaswara portion of the kriti ‘Emani ne’ is an illustration for Orikkai type"

What is Orikkai and how is that applied here for Ri-Sa-ni-dha-pa ?

keerthi
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Post by keerthi »

vasanthakokilam wrote: In addition, Rama Ravi is quoted here, http://www.carnatica.net/newsletter/muk ... letter.htm, "The passage Ri-Sa-ni-dha-pa in the Chittaswara portion of the kriti ‘Emani ne’ is an illustration for Orikkai type"

What is Orikkai and how is that applied here for Ri-Sa-ni-dha-pa ?
Orikkai is a variety of the gamaka called kurula, oddukkal being the other sub-species of kurula..

In orikkai, one plays/ sings more than one swara while apparently standing at one swara..

if the notation R S N D P is sung R(g)S(r)N(s)D(n)P(d) ; it is termed orikkai..

This is from vidya's english vewrsion of the SSP..

orikaiâ€â€Â

vasanthakokilam
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Post by vasanthakokilam »

Thanks Keerthi. I will have to see if I can spot that kind of execution in the various recordings of this song we have.

keerthi
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Joined: 12 Oct 2008, 14:10

Post by keerthi »

vasanthakokilam wrote:Thanks Keerthi. I will have to see if I can spot that kind of execution in the various recordings of this song we have.
I think it is very clear in T.Brinda's version..

p.s - Is there an audio of Patnam's mukhAri krti.. how is it..?

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