Could anybody help me with the lyrics and meaning for a javali Vani pondu chalu vadane, raga Kanada, talam Roopaka.
Thank you!
lyrics & meaning- Vani pondu chalu
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Lakshman
- Posts: 14185
- Joined: 10 Feb 2010, 18:52
vAnipondu (jAvaLi). rAgA: kAnaDA. rUpaka tALA. Composer: Dharmapuri Subbaraya Iyer.
P: vAnipondu cAlu vaddanE vanitAmaNI ala
A: cAna mATalella dAni sadanamE sadam-anucuDuNDaDi
C1: kamma viltuDEyu ammula pOTuna rommuna nATEna kamma vrAliccina
kommanampi vEga tODi temma ninnEtAni pommani balkina
2: sAreku sAmini kOri vADocci dAri jUci tami mIri yuNDenE
sAramella nerigi sAre sAre gAkanu nanguri jEsenE
3: kAma kELiyandu nanu kaugalinci Elina kOmaLAnguDau mA shyAma
bhUpAluDu EmO nEramenci nAdu nAmamaNTE gAka prEma maracina
P: vAnipondu cAlu vaddanE vanitAmaNI ala
A: cAna mATalella dAni sadanamE sadam-anucuDuNDaDi
C1: kamma viltuDEyu ammula pOTuna rommuna nATEna kamma vrAliccina
kommanampi vEga tODi temma ninnEtAni pommani balkina
2: sAreku sAmini kOri vADocci dAri jUci tami mIri yuNDenE
sAramella nerigi sAre sAre gAkanu nanguri jEsenE
3: kAma kELiyandu nanu kaugalinci Elina kOmaLAnguDau mA shyAma
bhUpAluDu EmO nEramenci nAdu nAmamaNTE gAka prEma maracina
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Rigapada
- Posts: 172
- Joined: 25 Nov 2005, 08:48
This song is found in the third volume of 'samgIta sourabhamu' by Dr Sripada Pinakapani. There are minor differences in the words, and also the second caranam is not given in the book. The song is credited to tanjAvUru cinnayya.
vAnipondu (jAvaLi). rAgA: kAnaDA. rUpaka tALA. Composer: Tanjavuru cinnayya,
P: vAnipomdu cAlu, vaddanE vanitAmaNI, ala
A: cAna mATalella dAni sadanamE satatamanucu numDeDi (vAni poMdu)
C1: kamma viltuDEyu ammula pOTuna rommuna nATina kamma vrAsiccina kommanampi vEga tODi temmaninE vAni, (dAni) pommani balkina (vAni pomdu)
2: sAreku sAmini kOri vADoccu dAri jUci tami mIri yuNDenE
sAramella nerigi sAre sAre gAkanu nanguri jEsenE
3: kAmu kELiyamdu nannu kaugilincElina kOmaLAmguDau mA cama bhUpAluDu EmO nEramemcinAdu, nAmamamTE gAka, prEma maracina (vAni pomdu)
There are four characters: 1 narrater, 2 Heroine, 3 the other woman, 4 Hero.
P: vAni pomdu cAlu, vaddanE, vanitAmaNI, ala
That gem of a lady 2(vanitAmaNi) said no (vaddane), enough (cAlu) with that person's 4 (ala vAni) intimacy (pomdu)
A: cAna = woman 3, mATalu+ella = matalella = all her words, dAni = her 3, sadanamE = abode alone, satatamu+anucu = saying it is permanent, numDeDi vAni = of such a person 4.
(The lady refused intimacy with a person) who says that her 3 words and abode alone are enduring.
C1: kamma viltuDEyu ammula pOTuna: kammaviltudu = cupid, Eyu = thrown by, ammula = arrows, pOtuna = by the cut, rommuna = in the bosom, nATina = pierce, kamma = the letter, vrAsiccina kommanu+ampi = sent the lady who wrote, vEga = speedily, tODi temmaninE = fetch, vAni = him4, (dAni = her) pommu+ani balkina vani = him, who sent her back.
When the arrows of cupid pierced her bosom, she2 sent a letter through a lady to bring him4 speedily. But he4 sent her back. The lady2 refused (further) intimacy with such a person4.
{2: sAreku = often again and again, sAmini kOri = desirous of the hero4, vADoccu dAri jUci = looking towards the way he4 comes, tami mIri yuNDenE = she2 waits with increased desire.
sAramella nerigi sAre sAre gAkanu nanguri jEsenE = ?} Not available in the book of Dr Pinakapani.
Possibly: The lady2 is looking up the way he is likely to come with hightened expectation. Knowing the matter, she2 is making me1 the target again and again.
3: kAmu kELiyamdu = in amorous times, nannu = me (1 or 2 ?), kaugilinci+Elina = who embraced me, kOmaLAmguDau = beautiful bodied, mA = our, cama bhUpAluDu = Syama BhUpAla, EmO = do not know why, nEramu+emcinAdu = found fault, nAmamamTE gAka = in spite of my name, prEma maracina = one who forgot love and affection, (vAni pomdu)
Though the beautiful Syama Bhupala embraced and fondled me, do not know why he is finding fault. The lady refuses further intimacy with such a person who forgot love and affection.
Note: Bombay sisters sang the song almost identical, but only P, AP and 1st caranam only.
--Rigapada
vAnipondu (jAvaLi). rAgA: kAnaDA. rUpaka tALA. Composer: Tanjavuru cinnayya,
P: vAnipomdu cAlu, vaddanE vanitAmaNI, ala
A: cAna mATalella dAni sadanamE satatamanucu numDeDi (vAni poMdu)
C1: kamma viltuDEyu ammula pOTuna rommuna nATina kamma vrAsiccina kommanampi vEga tODi temmaninE vAni, (dAni) pommani balkina (vAni pomdu)
2: sAreku sAmini kOri vADoccu dAri jUci tami mIri yuNDenE
sAramella nerigi sAre sAre gAkanu nanguri jEsenE
3: kAmu kELiyamdu nannu kaugilincElina kOmaLAmguDau mA cama bhUpAluDu EmO nEramemcinAdu, nAmamamTE gAka, prEma maracina (vAni pomdu)
There are four characters: 1 narrater, 2 Heroine, 3 the other woman, 4 Hero.
P: vAni pomdu cAlu, vaddanE, vanitAmaNI, ala
That gem of a lady 2(vanitAmaNi) said no (vaddane), enough (cAlu) with that person's 4 (ala vAni) intimacy (pomdu)
A: cAna = woman 3, mATalu+ella = matalella = all her words, dAni = her 3, sadanamE = abode alone, satatamu+anucu = saying it is permanent, numDeDi vAni = of such a person 4.
(The lady refused intimacy with a person) who says that her 3 words and abode alone are enduring.
C1: kamma viltuDEyu ammula pOTuna: kammaviltudu = cupid, Eyu = thrown by, ammula = arrows, pOtuna = by the cut, rommuna = in the bosom, nATina = pierce, kamma = the letter, vrAsiccina kommanu+ampi = sent the lady who wrote, vEga = speedily, tODi temmaninE = fetch, vAni = him4, (dAni = her) pommu+ani balkina vani = him, who sent her back.
When the arrows of cupid pierced her bosom, she2 sent a letter through a lady to bring him4 speedily. But he4 sent her back. The lady2 refused (further) intimacy with such a person4.
{2: sAreku = often again and again, sAmini kOri = desirous of the hero4, vADoccu dAri jUci = looking towards the way he4 comes, tami mIri yuNDenE = she2 waits with increased desire.
sAramella nerigi sAre sAre gAkanu nanguri jEsenE = ?} Not available in the book of Dr Pinakapani.
Possibly: The lady2 is looking up the way he is likely to come with hightened expectation. Knowing the matter, she2 is making me1 the target again and again.
3: kAmu kELiyamdu = in amorous times, nannu = me (1 or 2 ?), kaugilinci+Elina = who embraced me, kOmaLAmguDau = beautiful bodied, mA = our, cama bhUpAluDu = Syama BhUpAla, EmO = do not know why, nEramu+emcinAdu = found fault, nAmamamTE gAka = in spite of my name, prEma maracina = one who forgot love and affection, (vAni pomdu)
Though the beautiful Syama Bhupala embraced and fondled me, do not know why he is finding fault. The lady refuses further intimacy with such a person who forgot love and affection.
Note: Bombay sisters sang the song almost identical, but only P, AP and 1st caranam only.
--Rigapada
Last edited by Rigapada on 28 Oct 2006, 11:18, edited 1 time in total.
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keerthi
- Posts: 1309
- Joined: 12 Oct 2008, 14:10
There is often doubt regarding songs composed by the court vidwAns of Mysore; as chinnaya, sadashiva rau and pattabhiramayya all enjoyed the patronage of Krshnarajendra Wodeyar..
The javalis Cheli naenETLu in paras, MuTTavaddura in SAvEri and Vani pondu all have the chAma bhupala mudra, which chinnayya used in songs he dedicated to the king..
meena,
As pattabhirAmayya's signature tAlavanEsha or its variations (TAlAvanIpa etc) aren't seen here; it couldn't be his composition; UNLESS there is a version somewhere with one of the charanas with his mudra..
I have seen this happen before, identical songs; with just a mudra insertion..
The javalis Cheli naenETLu in paras, MuTTavaddura in SAvEri and Vani pondu all have the chAma bhupala mudra, which chinnayya used in songs he dedicated to the king..
meena,
As pattabhirAmayya's signature tAlavanEsha or its variations (TAlAvanIpa etc) aren't seen here; it couldn't be his composition; UNLESS there is a version somewhere with one of the charanas with his mudra..
I have seen this happen before, identical songs; with just a mudra insertion..