Thimma, if you have any recordings that can match the spell-binding appeal of this one please upload. Can't seem to get enough of it.

http://www.youtube.com/watch?v=UV3SYD4vJnE


mruga nayanA rasika mOhini
tejOnidhi loh gol

This is a classic .
The tracks that describes him best.
But yes there are other classical tracks - Will get back

http://www.mediafire.com/?s4vm0zv418h5vhv

Picked up Jait First . Hopefully this will show how he retained the natya flavour while other greats like Mansoor , made a complete changeover. Though both of them started in dramas.
He has sung a lovely variant of Yaman Kalyan christening it Rajani Kalyan ( Raj Kalyan ?) ( drops out some note - Pancham ? )
The muse goes Hamaari aaraj suno . Who would not like to hear such entreaties...
Hamaari aaraj suno Deena Dayala Natha Dukha Bhanjana ... Wonder if he had his Guru Dinanatha Mangeshkar in mind ?

Lata Mangeshkar's dad?

I love how the marAThi flavor comes through - 'mruga nayanA' not 'mRga nayanA', and 'mAnjula'...and here nATya is to be taken in the meaning of the nATya SAstra - i.e. dramaturgy, and not dance.

rshankar, the lovely lyrics of mruga nayanA and tEjonidhi lOh gOl are posted in sahitya, courtesy Lakshman-ji and Sri. P. Bala.

Three natya sangeet pieces....Ghe-e-chand makarand, gulajar nar ti madhubala, Dhir dhari...

http://www.youtube.com/watch?v=qylOVrRLTao