ramanathan wrote:
I must say that the innocuous-sounding title of the thesis masks what will eventually be acknowledged as a path-breaking PRACTICAL innovation to stabilize the pitch of the instrument, which varies widely across climatic variations and ambient conditions, posing a challenge to performers especially in this age of globe-trotting! Importantly, this has been done WITHOUT tampering with the basic construction or natural materials traditionally used in constructing the mridangam.
I think she should patent her innovation first. She can check with Rohan Krishnamurthy who, I am sure, can refer her to a competent patent lawyer.